Andrew Hadfield

Literature and Popular Culture in Early Modern England (eBook, PDF)

Redaktion: Dimmock, Matthew

• Format: PDF

Produktbeschreibung

Now in its third edition, Peter Burke's 1978 book Popular Culture in Early Modern Europe has for thirty years set the benchmark for cultural historians with its wide ranging and imaginative exploration of early modern European popular culture. In order to celebrate this achievement, and to explore the ways in which perceptions of popular culture have changed in the intervening years a group of leading scholars are brought together in this new volume to examine Burke's thesis in relation to England. Adopting an appropriately interdisciplinary approach, the collection offers an unprecedented survey of the field of popular culture in early modern England as it currently stands, bringing together scholars at the forefront of developments in an expanding area. Concluded by an Afterword by Peter Burke, the volume provides a vivid sense of the range and significance of early modern popular culture and the difficulties involved in defining and studying it.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 234
• Erscheinungstermin: 5. Dezember 2016
• Englisch
• ISBN-13: 9781351922012
• Artikelnr.: 49366165

Autorenporträt

Matthew Dimmock is Senior Lecturer in English and co-director of the Centre for Early Modern Studies at the University of Sussex. He is is the author of New Turkes: Dramatizing Islam and the Ottomans in Early Modern England (Ashgate, 2005), co-editor of Cultural Encounters Between East and West, 1453-1699 (CSP, 2004) and editor of William Percy's Mahomet and His Heaven: A Critical Edition (Ashgate, 2007). He is currently working on a monograph concerning the Prophet Muhammad in Christian thought. Andrew Hadfield is Professor of English at the University of Sussex. He is the author of a number of works on early modern literature, politics and culture, including Literature, Politics and National Identity: Reformation to Renaissance (Cambridge University Press, 1994); Spenser's Irish Experience: Wilde Fruit and Salvage Soyl (Clarendon, 1997) and Shakespeare, Spenser and the Matter of Britain (Palgrave, 2003). His most recent book, Shakespeare and Republicanism (Cambridge University Press, 2005), was awarded the Roland H. Bainton prize for literature by the Sixteenth Century Society of America. He is also the editor of Renaissance Studies.

Inhaltsangabe

Contents: Introduction, Matthew Dimmock and Andrew Hadfield; Part I
Defining Early Modern English Popular Culture: 'Popular culture': a
category for analysis?, Sue Wiseman; Orality, print and popular culture:
Thomas Nashe and Marshall McLuhan, Neil Rhodes; 'Thomas the Scholar' versus
'John the Sculler': defining popular culture in the early 17th century,
Michelle O'Callaghan; What is a chapbook?, Lori Humphrey Newcombe. Part II
Varieties of Popular Culture: The disguised king in early English ballads,
Linda Hutjens; 'Popu-love': sex, love and 16th century print culture, Ian
Moulton; What kind of horse is it? Popular devotional reading during the
16th century, Elisabeth Salter; 'Of the incomparable treasure of the Holy
Scriptures': the Geneva Bible in the early modern household, Femke
Molekamp; 'Extraordinary discourses of vnnecessarie matter': Spenser's
Shepheardes Calender and the almanac tradition, Abigail Shinn; Civil
conflicts and common brawls: humanist astrology and the Italianate tale in
Robert Greene's Planetomachia, Nandini Das; Elizabeth I at Tilbury and
popular culture, Thomas Healy; Macbeth and old wives' tales: gendering
conflicts in Burke's amphibious subject, Mary Ellen Lamb; Powder for
padlocks: the rhetoric of thanksgiving and the politics of flight in
Caroline plague, Kevin Killeen; Afterword, Peter Burke; Index.