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Reading social media both in relation to literature, but also as a literary form in its own right, this lively guide demonstrates that social media platforms have produced their own unique and distinctive forms of creative expression.
Reading social media both in relation to literature, but also as a literary form in its own right, this lively guide demonstrates that social media platforms have produced their own unique and distinctive forms of creative expression.
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Autorenporträt
Bronwen Thomas is Professor of English and New Media at Bournemouth University and the author of Narrative: the Basics (2016).
Inhaltsangabe
Introduction 1. From the Holodeck to the Tweetdeck: electronic literature, interactivity and participation 2. Old Wines in New Bottles? Retelling and reimagining the literary with social media 3. The Twittersphere as Literary Playground 4. Canons and Curators 5. Literary Networks 6. New Literary Cultures and Markets Afterword Glossary Works Cited
Introduction 1. From the Holodeck to the Tweetdeck: electronic literature, interactivity and participation 2. Old Wines in New Bottles? Retelling and reimagining the literary with social media 3. The Twittersphere as Literary Playground 4. Canons and Curators 5. Literary Networks 6. New Literary Cultures and Markets Afterword Glossary Works Cited
Introduction 1. From the Holodeck to the Tweetdeck: electronic literature, interactivity and participation 2. Old Wines in New Bottles? Retelling and reimagining the literary with social media 3. The Twittersphere as Literary Playground 4. Canons and Curators 5. Literary Networks 6. New Literary Cultures and Markets Afterword Glossary Works Cited
Introduction 1. From the Holodeck to the Tweetdeck: electronic literature, interactivity and participation 2. Old Wines in New Bottles? Retelling and reimagining the literary with social media 3. The Twittersphere as Literary Playground 4. Canons and Curators 5. Literary Networks 6. New Literary Cultures and Markets Afterword Glossary Works Cited
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