Live Electronic Music (eBook, PDF)

Composition, Performance, Study
Redaktion: Sallis, Friedemann; Zattra, Laura; Burle, Jan; Bertolani, Valentina

• Format: PDF

Produktbeschreibung

During the 20th century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has opened up new perspectives, which have contributed to the revitalisation of the performer's role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and practice in live electronic music. It studies compositions for which the musical text is problematic - non-existent, incomplete, insufficiently precise or transmitted in a non-traditional format.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 358
• Erscheinungstermin: 20. November 2017
• Englisch
• ISBN-13: 9781317692119
• Artikelnr.: 50215265

Autorenporträt

Friedemann Sallis is Professor and Director of Graduate Studies in the Music Department at the University of Calgary, Canada. Valentina Bertolani is currently pursuing a PhD in musicology at the University of Calgary, Canada. Jan Burle is a scientist at Jülich Centre for Neutron Science, Forschungszentrum Jülich GmbH, Outstation at MLZ in Garching, Germany. Laura Zattra is a research fellow at Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris, France.

Inhaltsangabe

Introduction
Friedemann Sallis, Valentina Bertolani, Jan Burle and Laura Zattra
Part I: Composition
1. Dwelling in a field of sonic relationships: 'instrument' and 'listening'
in an ecosystemic view of live electronics performance
Agostino Di Scipio
2. (The) speaking of characters, musically speaking
Chris Chafe
3. Collaborating on composition: the role of the musical assistant at
IRCAM, CCRMA and CSC
Laura Zattra
Part II: Performance
4. Alvise Vidolin interviewed by Laura Zattra: the role of the computer
music designers in composition and performance
Laura Zattra
5. Instrumentalists on solo works with live electronics: towards a
contemporary form of chamber music?
François-Xavier Féron and Guillaume Boutard
6. Approaches to notation in music for piano and live electronics: the
performer's perspective
Xenia Pestova
7. Encounterpoint: the ungainly instrument as co-performer
John Granzow
8. Robotic musicianship in live improvisation involving humans and machines
George Tzanetakis
Part III: Study
9. Authorship and performance tradition in the age of technology: (with
examples from the performance history of works by Luigi Nono, Luciano Berio
and Karlheinz Stockhausen)
Angela Ida De Benedictis
10. (Absent) authors, texts and technologies: ethnographic pathways and
compositional practices
Nicola Scaldaferri
11. Computer-supported analysis of religious chant
Dániel Péter Biró and George Tzanetakis
12. Fixing the fu