Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods.
This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Priscilla Guy is a Canadian artist and researcher holding a PhD in feminist screendance from Université de Lille. She is co-founder and director of Regards Hybrides, a project that aims to promote the expression, development, and outreach of practices and discourses that border between dance and cinema. With its web platform, its international biennial, and its range of services for artists and presenters, Regards Hybrides is the only project of its kind in Canada. Alanna Thain is Associate Professor of English, World Cinemas and Gender, Sexuality and Feminist Studies at McGill University. She is co-founder and director of the Moving Image Research Lab, dedicated to the studying of the body in moving image media, and directs the FRQSC research team CORERISC: Collective for Research on Epistemologies and Ontologies of Embodied Risk. She is the author of Bodies in Suspense: Time and Affect in Cinema (2017).
Inhaltsangabe
List of Contributors Foreword Introduction 1. "Let Me in Through Your Window": Dancing with Kate Bush and Hatsune Miku Hilary Bergen 2. The Queer Art of Hospitality: "If You Can Fuck, You Can Dance!" Luce DeLire 3. Kinesthetic Empathy as Human Connection in Digital Space Cara Hagan 4. The Value of a Cheap Trick: Reverse Motion from Lo Tech SFX to Speculative Spectacle Alanna Thain 5. Little Visions and Grandiose Perceptions: An Interview with Manon Labrecque by Priscilla Guy Manon Labrecque and Priscilla Guy 6. Canonising BTS: FOMO in the Archives of Digital Convenience Yutian Wong 7. Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendance Anna Macdonald 8. Bill Robinson: Icon of Dignity Karla Etienne 9. The Ghost(s) of Alice Guy: Reminiscences of a Feminist Screendance Pioneer Priscilla Guy 10. In a World of Dancing Waves and DIY Addiction: An Interview with Sonya Stefan by Priscilla Guy Sonya Stefan and Priscilla Guy 11. "Take Me to the Place Where the White Boys Dance": Tom Hanks's Manchild Addie Tsai 12. Traces, Memories, and Rediscovered Gestures: A Creative Practice of Archiving and Sensitive Writing Camille Auburtin 13. Terrance Houle's Ghost Dancing in A Wagon Burner Landscape Jessica Jacobson-Konefall 14. Desire to Heal, Desire to be Seen, Desire to Dance: An Interview with Kijâtai-Alexandra Veillette-Cheezo by Priscilla Guy Kijâtai-Alexandra Veillette-Cheezo and Priscilla Guy 15. From _ Ryan Clayton To _ Emilie Morin Ryan Clayton and Emilie Morin 16. Filming Consciousness: Between Phonesia and Talking Camera - Organological Cinema Anatoli Vlassov 17. The matter of analogue media technologies in Screendance, post Martin Heidegger and post Hito Steyerl Claudia Kappenberg 18. Moving Mirror or Screendance as Performance Methodology: An Interview with Nadège Grebmeier Forget by Alanna Thain Nadège Grebmeier Forget and Alanna Thain Index
List of Contributors Foreword Introduction 1. "Let Me in Through Your Window": Dancing with Kate Bush and Hatsune Miku Hilary Bergen 2. The Queer Art of Hospitality: "If You Can Fuck, You Can Dance!" Luce DeLire 3. Kinesthetic Empathy as Human Connection in Digital Space Cara Hagan 4. The Value of a Cheap Trick: Reverse Motion from Lo Tech SFX to Speculative Spectacle Alanna Thain 5. Little Visions and Grandiose Perceptions: An Interview with Manon Labrecque by Priscilla Guy Manon Labrecque and Priscilla Guy 6. Canonising BTS: FOMO in the Archives of Digital Convenience Yutian Wong 7. Keeping in time: Mastery, as a condition of colonial and patriarchal discourse, and the temporality of screendance Anna Macdonald 8. Bill Robinson: Icon of Dignity Karla Etienne 9. The Ghost(s) of Alice Guy: Reminiscences of a Feminist Screendance Pioneer Priscilla Guy 10. In a World of Dancing Waves and DIY Addiction: An Interview with Sonya Stefan by Priscilla Guy Sonya Stefan and Priscilla Guy 11. "Take Me to the Place Where the White Boys Dance": Tom Hanks's Manchild Addie Tsai 12. Traces, Memories, and Rediscovered Gestures: A Creative Practice of Archiving and Sensitive Writing Camille Auburtin 13. Terrance Houle's Ghost Dancing in A Wagon Burner Landscape Jessica Jacobson-Konefall 14. Desire to Heal, Desire to be Seen, Desire to Dance: An Interview with Kijâtai-Alexandra Veillette-Cheezo by Priscilla Guy Kijâtai-Alexandra Veillette-Cheezo and Priscilla Guy 15. From _ Ryan Clayton To _ Emilie Morin Ryan Clayton and Emilie Morin 16. Filming Consciousness: Between Phonesia and Talking Camera - Organological Cinema Anatoli Vlassov 17. The matter of analogue media technologies in Screendance, post Martin Heidegger and post Hito Steyerl Claudia Kappenberg 18. Moving Mirror or Screendance as Performance Methodology: An Interview with Nadège Grebmeier Forget by Alanna Thain Nadège Grebmeier Forget and Alanna Thain Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
