London as Screen Gateway (eBook, PDF)
Redaktion: Evans, Elizabeth; Guha, Malini
41,95 €
41,95 €
inkl. MwSt.
Sofort per Download lieferbar
21 °P sammeln
41,95 €
Als Download kaufen
41,95 €
inkl. MwSt.
Sofort per Download lieferbar
21 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
41,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
21 °P sammeln
London as Screen Gateway (eBook, PDF)
Redaktion: Evans, Elizabeth; Guha, Malini
- Format: PDF
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
London as Screen Gateway explores how London features within screen narratives and as a location of screen industry activity.
- Geräte: PC
- mit Kopierschutz
- eBook Hilfe
Andere Kunden interessierten sich auch für
- London as Screen Gateway (eBook, ePUB)41,95 €
- Chris ComerfordCinematic Digital Television (eBook, PDF)36,95 €
- Triaging the Streaming Wars (eBook, PDF)41,95 €
- Jonathan J. CavalleroTelevision Directors, Race, and Gender (eBook, PDF)41,95 €
- César Albarrán-TorresGlobal Trafficking Networks on Film and Television (eBook, PDF)41,95 €
- American Militarism on the Small Screen (eBook, PDF)44,95 €
- Inger-Lise Kalviknes BoreScreen Comedy and Online Audiences (eBook, PDF)40,95 €
-
-
-
London as Screen Gateway explores how London features within screen narratives and as a location of screen industry activity.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 270
- Erscheinungstermin: 26. Juli 2023
- Englisch
- ISBN-13: 9781000918021
- Artikelnr.: 68368517
- Verlag: Taylor & Francis
- Seitenzahl: 270
- Erscheinungstermin: 26. Juli 2023
- Englisch
- ISBN-13: 9781000918021
- Artikelnr.: 68368517
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Elizabeth Evans is Professor of Screen Cultures at the University of Nottingham. Her research examines the intersection of screen audiences, screen industries and technology studies. She is the author of Transmedia Television: Audiences, New Media and Daily Life (2011) and Understanding Engagement in Transmedia Culture (2020) and co-editor of Participations: The Online Journal of Audience and Reception Studies. Malini Guha is Associate Professor of Film Studies at Carleton University. As a contributing editor for the online journal Mediapolis, she writes a regular column, 'Screening Canada', where she explores an aspect of Canada's mediated place-making in relation to recent issues concerning its global role and domestic negotiation of racial and ethnic difference.
List of Figures
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all':
Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media
history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the
Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins'
and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London
Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of
text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a
Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to
Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and
Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of
Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public
Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all':
Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media
history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the
Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins'
and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London
Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of
text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a
Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to
Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and
Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of
Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public
Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
List of Figures
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all':
Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media
history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the
Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins'
and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London
Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of
text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a
Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to
Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and
Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of
Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public
Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade
List of Contributors
Introduction
Part I
London as Archive
1. 'The BFI: London's gateway to Cinema and Media studies for all':
Interview with Sarah Currant, Melanie Hoyes, and Emma Smart
2. Millennium Mills: London's last post-industrial ruin and its media
history and industry
3. Sherlock Holmes, Archive London: Phantasms of Authenticity at the
Festival of Britain, 1951
4. Watching the Detectives: Poe, Luther, and the Surveilled City
5. Adaptations and Intertexts: How Disney Imagines London in 'Mary Poppins'
and Saving Mr. Banks
6. The Rough and the Smooth: Touching and the Tactile in British London
Films of the 1920s
Part II
London Locations
7. London Film-Location Walking Tours: Labouring at the intersection of
text, location and place
8. 'Rivers Can Be Very Sinister Places': Alfred Hitchcock Takes a
Satirical, Sinister London Crime Cruise in Frenzy
9. Is London Real? The Actual/Virtual/Fantastic City from Blow-Up to
Bandersnatch
10. London and the carnivalesque in Catastrophe (Channel 4, 2015-2019), and
Fleabag (BBC, 2016 - 2019)
Part III
London and Beyond
11. Leaving London: The BBC, Channel 4 and The Symbolic Diversity of
Location
12. Invisible London: Unveiling the Immigrant Landscape in The Receptionist
13. Piccadilly Lights as Pandemic Portal? The Case of Circa Art's Public
Projection Series
Afterword: Peak London: the spectacular and the banal in the ABC decade