It wasn't love, really. They were just trying to make something out of their lives.
Kyoto, 1996, during the passing of Comet Hyakutake: A runaway from Singapore discovers a woman crying in front of a train station at 5.46am. A Straits Times journalist later arrives with her gallerist friend from Madrid, dreading the reenactment of her mother's performance art. The lives of these four friends-Isaac, Tori, Jing and Mateo-become entangled as a result of one madcap weekend, when fireworks are inexplicably shot over the Kamo River and people become swept to alternate worlds via public transport.
Daryl Qilin Yam's genre-defying second novel ranges across countries and decades, charting the tributaries of pain we thread with our friends and the arcs of the many stories we tell in order to live.
Kyoto, 1996, during the passing of Comet Hyakutake: A runaway from Singapore discovers a woman crying in front of a train station at 5.46am. A Straits Times journalist later arrives with her gallerist friend from Madrid, dreading the reenactment of her mother's performance art. The lives of these four friends-Isaac, Tori, Jing and Mateo-become entangled as a result of one madcap weekend, when fireworks are inexplicably shot over the Kamo River and people become swept to alternate worlds via public transport.
Daryl Qilin Yam's genre-defying second novel ranges across countries and decades, charting the tributaries of pain we thread with our friends and the arcs of the many stories we tell in order to live.
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