Felicia Hardison Londre

Love's Labour's Lost (eBook, PDF)

Critical Essays

• Format: PDF

Produktbeschreibung

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 496
• Erscheinungstermin: 17. Juli 2015
• Englisch
• ISBN-13: 9781317954279
• Artikelnr.: 43419113

Autorenporträt

Felicia Hardison Londre is Curators' professor of Theater at the University of Missouri--Kansas City and dramaturg for Missouri Repertory Theater, Hart of America, Shakespeare Festival, and Nebraska Shakepseare Festival. She is currently President of the American Theater and Drama Society.

Inhaltsangabe

General Editor's Introduction * Acknowledgments * Illustrations * Introduction * Love's Labour's Lost and the Critical Legacy
Felicia Hardison Londre * Love'sLabour's Lost and The Critics * From Alba
or the Month'sMinde of a Melancholy Lover (1598)
Robert Tofte * To the Right Honorable the Lorde Vycount Cranborne at the Courte (1604)
Sir Walter Cope ; Remarks on the Plays of Shakespear: The Argument of Love's Labour's Lost (1710)
Charles Gildon * Notes on Shakespeare's Plays: Love'sLabour's Lost (excerpts) (1765)
Samuel Johnson * Love'sLabour Lost
from Lectures on Dramatic Art andLiterature: Criticisms on Shakespeare's Comedies (1808)
August Wilhelm von Schlegel * Love's Labour's Lost
from the Lectures on Shakespeare and Milton (1811)
SamuelTaylor Coleridge [reported by J. Tomalin] * Love'sLabour's Lost
from Lectures and Notes on Shakspere and Other English Poets (1818)
Samuel Taylor Coleridge * Love's Labour's Lost
from Characters of Shakespeare'sPlays (1817)
William Hazlitt * On Love's Labour's Lost(1878)
Walter Pater; Shakespeare's Word-Play and Puns: Love's Labour's Lost (1889)
Thomas R. Price * A Shakespearean Quibble (1898)
James W. Bright * Love'sLabour's Lost
from Shakespeare: His Music and Song(1915)
A.H. Moncure-Sime * Love's Labour's LostRestudied (1925)
Oscar J. Campbell; Love's Labour'sLost: One of Shakespeare's First Bows (1942)
JacquesCopeau
translated from the French by Mari Pappas * Love's Labour's Lost (1953)
Bobbyann Roesen (AnneBarton) * The Folly of Wit and Masquerade in Love'sLabour's Lost (1959)
C.L. Barber * Love's Labour's Lost: The Story of a Conversion (1962)
John Dover Wilson
C.H. * Love's Labour's Lost and the Early Shakespeare (1962)
Alfred Harbage * The Dialogues of Spring and Winter: A Key to the Unity of Love's Labour's Lost (1967)
Catherine M. McLay * Love's Labour's Lost The Grace of Society (1971)
Thomas M. Greene * The Failure of Relationship Between Men and Women in Love's Labour'sLost (1981)
Peter B. Erickson * Oath-Taking (1981)
Irene G. Dash * The Copy for the Folio Text of Love'sLabour's Lost (1982)
Stanley Wells * The Structure of Love's Labour's Lost (1982)
Koshi Nakanori
translatedfrom the Japanese by Toru Iwasaki * M. Marcad and the Dance of Death: Love's Labour's Lost v. 2.705-711 (1986)
Ren Graziani * Jaquenetta's Baby's Father: Recovering Paternity in Love's Labour's Lost (1990)
Dorothea Kehler * Armado and Costard in the French Academy: Player as Clown (1993)
Meredith Anne Skura
* Elizabethan Views of the "Other": French
Spanish
and Russians in Love'sLabour's Lost (1995)
Felicia Hardison Londre * Love'sLabour's Lost on Stage * Review of the Dramatic Students at St. James's Theatre (1886)
Bernard Shaw * Review of Love's Labor's Lost at Daly's Theatre (1891)
New YorkTimes; Imitations: The Students
1762 (1904)
HoraceHoward Furness * Review of Peines d'amour perdues at the Od on: From Le Monde (1946)
Robert Kemp * Review of Peines d'amour perdues at the Od on: From La Vie intellectuelle (1946)
Henri Gouhier * From The ShiftingPoint (1987)
Peter Brooke * Armado's "You that way; we this way" (1969-70)
James Hisao Kodama * Love's LaborReviewed as Mozart-Like (1974)
John H. Harvey * Review of Love's Labour's Lost at the Guthrie Theater (1974)
Mike Steele * Review of the Royal Shakespeare Company (1978)
Michael Billington * Rehearsal Process as Critical Practice: John Barton's 1978 Love's Labour'sLost (1988)
Barbara Hodgdon * From a Theatregoer's Notebook: The RSC Love's Labour's Lost (1985)
FeliciaHardison Londre * Moshinsky's Love's Labour's Lost(1985)
Mary Z. Maher * Another winner
a feast worthy of the Bard himself: Review of Love's Labour's Lost
Performed by the Great Lakes Theater Festival (1988)
Marianne Evett * Director Leaves Mark on Love's Labour'sLost: Review of Love's Labour's Lost
performed by the Great Lakes Theater Festival (1988)
Tony Mastroaianni * Youthful Touch of Tenderness: Review of Love's Labor's Lost
at the Public Theater (1989)
Clive Barnes * On Directing Love's Labour's Lost-Five Times
GeraldFreedman * On Designing Love's Labour's Lost-Twice
JohnEzell; Love's Labor's Lost (1992)
Randall Louis Anderson * Continuous Sonnets (1993)
Amy Reiter * Love's Labour'sLost (1993)
Margaret Loftus Ranald * Shakespeare
Half of Creation: Reminiscences of Don Armado
Peter Huszti * The "Otherness" of the Foreigner in Contemporary Productions of Love's Labour's Lost
Daniel J. Watermeier * On Playing Berowne
Theodore Swetz * Envoi
MeliaBensussen * Contributors of New Material to This Volume