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'I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That's the weight of the Eiffel Tower. I'd be giving birth to the Eiffel Tower.' In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they'll never do it. But if they rush, it could be a disaster.They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct - the planet or the relationship?…mehr
'I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That's the weight of the Eiffel Tower. I'd be giving birth to the Eiffel Tower.'
In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they'll never do it. But if they rush, it could be a disaster.They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct - the planet or the relationship?
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Autorenporträt
Duncan Macmillan's work has been performed throughout the world, including at the National Theatre, Royal Court, Almeida, Barbican, St Ann's Warehouse, Melbourne Theatre Company, Berliner Ensemble, Hamburg Schauspielhaus, Schauspielhaus Köln, Burgtheater Vienna, Vesturport, Kansallisteatteri, Nationaltheatret Oslo and in the repertory of the Schaubühne Berlin, as well as at the Edinburgh Festival, the Manchester International Festival, Salzburg Festival, Festival d'Avignon and Theatertreffen, in the West End and on Broadway. Both 1984 and People, Places and Things were nominated for Best New Play and Rosmersholm was nominated Best Revival at the Olivier Awards.
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