Made in Germany (eBook, PDF)
Studies in Popular Music
Redaktion: Seibt, Oliver; Wickström, David-Emil; Ringsmut, Martin
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Made in Germany (eBook, PDF)
Studies in Popular Music
Redaktion: Seibt, Oliver; Wickström, David-Emil; Ringsmut, Martin
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Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany.
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Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 248
- Erscheinungstermin: 22. September 2020
- Englisch
- ISBN-13: 9781351200783
- Artikelnr.: 59870002
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 248
- Erscheinungstermin: 22. September 2020
- Englisch
- ISBN-13: 9781351200783
- Artikelnr.: 59870002
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Oliver Seibt is Assistant Professor of Cultural Musicology at the University of Amsterdam, The Netherlands. Martin Ringsmut is Research Assistant in the Ethnomusicology Department at the University of Cologne, Germany, where he has taught courses in Ethnomusicology and Popular Music Studies. David-Emil Wickström is Professor of Popular Music History at the Popakademie Baden-Württemberg, in Mannheim, Germany.
Introduction: Deutschland - Echt jetzt? German Popular Music's Complicated
Relationship with German Identity Oliver Seibt, Martin Ringsmut, and
David-Emil Wickström / Interview: Rocking the Academy? Two Cold-War Careers
and the Emergence of Popular Music Studies and Higher Popular Music
Education in Germany. An Interview with Peter Wicke and Udo Dahmen
David-Emil Wickström / Part I: Historical Spotlights / 1: Transnational
Networks and Intermedial Interfaces in German Popular Music, 1900-1939
Caroline Stahrenberg / 2: Nazis and Quiet Sounds: Popular Music, Simulated
Normality, and Cultural Niches in the Terror Regime, 1933-45 Jens Gerrit
Papenburg / 3: Conflicting Identities: The Meaning and Significance of
Popular Music in the GDR Michael Rauhut / 4: 'Party on the Death Strip' -
Reflections on an Historical Turning Point Susanne Binas-Preisendörfer /
Part II: Globally German / 5: The Krauts Are Coming: Electronic Music and
Rock in the 1970s Ulrich Adelt / 6: German Metal Attack: Power Metal in and
from Germany Jan-Peter Herbst / 7: German Longings: A Dialogue on the
Promises and Dangers of National Stereotypes Melanie Schiller and Jeroen de
Kloet / Part III: Also "Made in Germany" / 8: Peepl rock: Post-Soviet
Popular Music in Germany David-Emil Wickström / 9: Made in Almanya: The
Birth of Turkish Rap Thomas Solomo / 10: G.I. Blues and German Schlager:
The Politics of Popular Music in Germany during the Cold War Bodo Mrozek /
Part IV: Explicitly German / 11: Neue Deutsche Welle: Tactical Affirmation
as a Strategy of Subversion Barbara Hornberger / 12: "One Day You Will Wish
We'd Only Played Music": Some Remarks on Recent Developments of Germany's
RechtsRock Scene Thorsten Hindrichs / 13: Hallo Blumenau, bom dia Brasil!
German Music Beyond Germany Julio Mendiìvil / Part V: Reluctantly German /
14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German
Chanson Reneì Michaelsen / 15: How Munich and Frankfurt Brought
(Electronic) Dance Music to the Top of the International Charts with
Eurodisco and Eurodance - and Why Germany Was Not Involved Heiko Wandler /
16: Japonisme 2.0: German visual-kei Fans, Tokio Hotel, and the Popular
Music Genre That Must Not Exist Oliver Seibt / Coda / 17: The Germaican
Connection - German Reggae Abroad Martin Ringsmut / Interview: Standing Up
Against Discrimination and Exclusion: An Interview with Kutlu Yurtseven
(Microphone Mafia) Monika E. Schoop / Selected Bibliography
Relationship with German Identity Oliver Seibt, Martin Ringsmut, and
David-Emil Wickström / Interview: Rocking the Academy? Two Cold-War Careers
and the Emergence of Popular Music Studies and Higher Popular Music
Education in Germany. An Interview with Peter Wicke and Udo Dahmen
David-Emil Wickström / Part I: Historical Spotlights / 1: Transnational
Networks and Intermedial Interfaces in German Popular Music, 1900-1939
Caroline Stahrenberg / 2: Nazis and Quiet Sounds: Popular Music, Simulated
Normality, and Cultural Niches in the Terror Regime, 1933-45 Jens Gerrit
Papenburg / 3: Conflicting Identities: The Meaning and Significance of
Popular Music in the GDR Michael Rauhut / 4: 'Party on the Death Strip' -
Reflections on an Historical Turning Point Susanne Binas-Preisendörfer /
Part II: Globally German / 5: The Krauts Are Coming: Electronic Music and
Rock in the 1970s Ulrich Adelt / 6: German Metal Attack: Power Metal in and
from Germany Jan-Peter Herbst / 7: German Longings: A Dialogue on the
Promises and Dangers of National Stereotypes Melanie Schiller and Jeroen de
Kloet / Part III: Also "Made in Germany" / 8: Peepl rock: Post-Soviet
Popular Music in Germany David-Emil Wickström / 9: Made in Almanya: The
Birth of Turkish Rap Thomas Solomo / 10: G.I. Blues and German Schlager:
The Politics of Popular Music in Germany during the Cold War Bodo Mrozek /
Part IV: Explicitly German / 11: Neue Deutsche Welle: Tactical Affirmation
as a Strategy of Subversion Barbara Hornberger / 12: "One Day You Will Wish
We'd Only Played Music": Some Remarks on Recent Developments of Germany's
RechtsRock Scene Thorsten Hindrichs / 13: Hallo Blumenau, bom dia Brasil!
German Music Beyond Germany Julio Mendiìvil / Part V: Reluctantly German /
14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German
Chanson Reneì Michaelsen / 15: How Munich and Frankfurt Brought
(Electronic) Dance Music to the Top of the International Charts with
Eurodisco and Eurodance - and Why Germany Was Not Involved Heiko Wandler /
16: Japonisme 2.0: German visual-kei Fans, Tokio Hotel, and the Popular
Music Genre That Must Not Exist Oliver Seibt / Coda / 17: The Germaican
Connection - German Reggae Abroad Martin Ringsmut / Interview: Standing Up
Against Discrimination and Exclusion: An Interview with Kutlu Yurtseven
(Microphone Mafia) Monika E. Schoop / Selected Bibliography
Introduction: Deutschland - Echt jetzt? German Popular Music's Complicated
Relationship with German Identity Oliver Seibt, Martin Ringsmut, and
David-Emil Wickström / Interview: Rocking the Academy? Two Cold-War Careers
and the Emergence of Popular Music Studies and Higher Popular Music
Education in Germany. An Interview with Peter Wicke and Udo Dahmen
David-Emil Wickström / Part I: Historical Spotlights / 1: Transnational
Networks and Intermedial Interfaces in German Popular Music, 1900-1939
Caroline Stahrenberg / 2: Nazis and Quiet Sounds: Popular Music, Simulated
Normality, and Cultural Niches in the Terror Regime, 1933-45 Jens Gerrit
Papenburg / 3: Conflicting Identities: The Meaning and Significance of
Popular Music in the GDR Michael Rauhut / 4: 'Party on the Death Strip' -
Reflections on an Historical Turning Point Susanne Binas-Preisendörfer /
Part II: Globally German / 5: The Krauts Are Coming: Electronic Music and
Rock in the 1970s Ulrich Adelt / 6: German Metal Attack: Power Metal in and
from Germany Jan-Peter Herbst / 7: German Longings: A Dialogue on the
Promises and Dangers of National Stereotypes Melanie Schiller and Jeroen de
Kloet / Part III: Also "Made in Germany" / 8: Peepl rock: Post-Soviet
Popular Music in Germany David-Emil Wickström / 9: Made in Almanya: The
Birth of Turkish Rap Thomas Solomo / 10: G.I. Blues and German Schlager:
The Politics of Popular Music in Germany during the Cold War Bodo Mrozek /
Part IV: Explicitly German / 11: Neue Deutsche Welle: Tactical Affirmation
as a Strategy of Subversion Barbara Hornberger / 12: "One Day You Will Wish
We'd Only Played Music": Some Remarks on Recent Developments of Germany's
RechtsRock Scene Thorsten Hindrichs / 13: Hallo Blumenau, bom dia Brasil!
German Music Beyond Germany Julio Mendiìvil / Part V: Reluctantly German /
14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German
Chanson Reneì Michaelsen / 15: How Munich and Frankfurt Brought
(Electronic) Dance Music to the Top of the International Charts with
Eurodisco and Eurodance - and Why Germany Was Not Involved Heiko Wandler /
16: Japonisme 2.0: German visual-kei Fans, Tokio Hotel, and the Popular
Music Genre That Must Not Exist Oliver Seibt / Coda / 17: The Germaican
Connection - German Reggae Abroad Martin Ringsmut / Interview: Standing Up
Against Discrimination and Exclusion: An Interview with Kutlu Yurtseven
(Microphone Mafia) Monika E. Schoop / Selected Bibliography
Relationship with German Identity Oliver Seibt, Martin Ringsmut, and
David-Emil Wickström / Interview: Rocking the Academy? Two Cold-War Careers
and the Emergence of Popular Music Studies and Higher Popular Music
Education in Germany. An Interview with Peter Wicke and Udo Dahmen
David-Emil Wickström / Part I: Historical Spotlights / 1: Transnational
Networks and Intermedial Interfaces in German Popular Music, 1900-1939
Caroline Stahrenberg / 2: Nazis and Quiet Sounds: Popular Music, Simulated
Normality, and Cultural Niches in the Terror Regime, 1933-45 Jens Gerrit
Papenburg / 3: Conflicting Identities: The Meaning and Significance of
Popular Music in the GDR Michael Rauhut / 4: 'Party on the Death Strip' -
Reflections on an Historical Turning Point Susanne Binas-Preisendörfer /
Part II: Globally German / 5: The Krauts Are Coming: Electronic Music and
Rock in the 1970s Ulrich Adelt / 6: German Metal Attack: Power Metal in and
from Germany Jan-Peter Herbst / 7: German Longings: A Dialogue on the
Promises and Dangers of National Stereotypes Melanie Schiller and Jeroen de
Kloet / Part III: Also "Made in Germany" / 8: Peepl rock: Post-Soviet
Popular Music in Germany David-Emil Wickström / 9: Made in Almanya: The
Birth of Turkish Rap Thomas Solomo / 10: G.I. Blues and German Schlager:
The Politics of Popular Music in Germany during the Cold War Bodo Mrozek /
Part IV: Explicitly German / 11: Neue Deutsche Welle: Tactical Affirmation
as a Strategy of Subversion Barbara Hornberger / 12: "One Day You Will Wish
We'd Only Played Music": Some Remarks on Recent Developments of Germany's
RechtsRock Scene Thorsten Hindrichs / 13: Hallo Blumenau, bom dia Brasil!
German Music Beyond Germany Julio Mendiìvil / Part V: Reluctantly German /
14: "Meine Lieder sind anders": Hildegard Knef and the Idea(l) of German
Chanson Reneì Michaelsen / 15: How Munich and Frankfurt Brought
(Electronic) Dance Music to the Top of the International Charts with
Eurodisco and Eurodance - and Why Germany Was Not Involved Heiko Wandler /
16: Japonisme 2.0: German visual-kei Fans, Tokio Hotel, and the Popular
Music Genre That Must Not Exist Oliver Seibt / Coda / 17: The Germaican
Connection - German Reggae Abroad Martin Ringsmut / Interview: Standing Up
Against Discrimination and Exclusion: An Interview with Kutlu Yurtseven
(Microphone Mafia) Monika E. Schoop / Selected Bibliography