Made in Thailand (eBook, ePUB)
Studies in Popular Music
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Studies in Popular Music
Redaktion: Sawangchot, Viriya
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Made in Thailand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Thailand.
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Made in Thailand: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Thailand.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Erscheinungstermin: 25. Februar 2025
- Englisch
- ISBN-13: 9781040318751
- Artikelnr.: 73144258
- Verlag: Taylor & Francis eBooks
- Erscheinungstermin: 25. Februar 2025
- Englisch
- ISBN-13: 9781040318751
- Artikelnr.: 73144258
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Viriya Sawangchot is a cultural researcher based in Bangkok. Recently, he has been working as a senior researcher at the Center of Geosocial and Cultural Research for Sustainable Development (GSCR) at Walailak University, Thailand.
CONTENTS
Preface
Introduction
VIRIYA SAWANGCHOT
PART I : HISTORIES
1 The Amplification of Modern Music: How Did Radio Broadcasting during the
1930s-1950s Influence Thai Modern Music?
FRANCIS NUNTASUKON
2 The 1950s-1970s Pleng Lukgrung and the Modern Gender in Thailand
JIRAWATE RUGCHAT
3 The Revolution of Pleng String and Politics of the 1980s Generation
VIRIYA SAWANGCHOT
PART II : COMTEMPORARY ISSUES
4 Reconstructing Thai Musical Identity: The Adaptation of Thai Classical
Music to Popular Music in Recent Decades
GREAT LEKAKUL
5 Notes on Gender and Aesthetic Expression in Thai Indie Scene
WANATAYA MONGKON and SIRIPAT NAKNAM
6 Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music
Production
ATCHAREEYA SAISIN
7 Dancemocracy as Political Expression in the 2020 Thai Pro-democracy
Movement
ANNA LAWATTANATRAKUL
PART III: POLITICS OF SOUND
8 The Representations of Music Texts and the Female Voices in Haruethai
Hirunya and Fon Tanasoontorn's "I Am Not Okay"
KUNTHEE BANJUKEAW
9 Noise: Relistening to Non-musical Sound in Thailand
THATCHATHAM SILSUPAN
10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
PHAKPHOOM TIAVONGSUVAN
11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern
Thailand
VIRIYA SAWANGCHOT and SIRASAR BOONMA
PART IV: REGION AND CULTURAL POLITICS
12 Popular Music and the (Global) South of Thailand in the Place-Making
SIRIPORN SOMBOONBOORANA
13 Song as a Resource for Cultural Translation: Tai Popular Music in the
Borderlands of the Upper Mekong
WASAN PANYAGAEW
14 Morlam as Method: Isan Music and Its Knowledge GRIDTHIYA GAWEEWONG and
ARTHIT MULSARN
CODA
15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in
China
BRENDA CHAN
AFTERWORD
"Political Music Isn't Necessarily Boring": A Conversation with Pisitakun
Kuantalaeng
Preface
Introduction
VIRIYA SAWANGCHOT
PART I : HISTORIES
1 The Amplification of Modern Music: How Did Radio Broadcasting during the
1930s-1950s Influence Thai Modern Music?
FRANCIS NUNTASUKON
2 The 1950s-1970s Pleng Lukgrung and the Modern Gender in Thailand
JIRAWATE RUGCHAT
3 The Revolution of Pleng String and Politics of the 1980s Generation
VIRIYA SAWANGCHOT
PART II : COMTEMPORARY ISSUES
4 Reconstructing Thai Musical Identity: The Adaptation of Thai Classical
Music to Popular Music in Recent Decades
GREAT LEKAKUL
5 Notes on Gender and Aesthetic Expression in Thai Indie Scene
WANATAYA MONGKON and SIRIPAT NAKNAM
6 Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music
Production
ATCHAREEYA SAISIN
7 Dancemocracy as Political Expression in the 2020 Thai Pro-democracy
Movement
ANNA LAWATTANATRAKUL
PART III: POLITICS OF SOUND
8 The Representations of Music Texts and the Female Voices in Haruethai
Hirunya and Fon Tanasoontorn's "I Am Not Okay"
KUNTHEE BANJUKEAW
9 Noise: Relistening to Non-musical Sound in Thailand
THATCHATHAM SILSUPAN
10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
PHAKPHOOM TIAVONGSUVAN
11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern
Thailand
VIRIYA SAWANGCHOT and SIRASAR BOONMA
PART IV: REGION AND CULTURAL POLITICS
12 Popular Music and the (Global) South of Thailand in the Place-Making
SIRIPORN SOMBOONBOORANA
13 Song as a Resource for Cultural Translation: Tai Popular Music in the
Borderlands of the Upper Mekong
WASAN PANYAGAEW
14 Morlam as Method: Isan Music and Its Knowledge GRIDTHIYA GAWEEWONG and
ARTHIT MULSARN
CODA
15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in
China
BRENDA CHAN
AFTERWORD
"Political Music Isn't Necessarily Boring": A Conversation with Pisitakun
Kuantalaeng
CONTENTS
Preface
Introduction
VIRIYA SAWANGCHOT
PART I : HISTORIES
1 The Amplification of Modern Music: How Did Radio Broadcasting during the
1930s-1950s Influence Thai Modern Music?
FRANCIS NUNTASUKON
2 The 1950s-1970s Pleng Lukgrung and the Modern Gender in Thailand
JIRAWATE RUGCHAT
3 The Revolution of Pleng String and Politics of the 1980s Generation
VIRIYA SAWANGCHOT
PART II : COMTEMPORARY ISSUES
4 Reconstructing Thai Musical Identity: The Adaptation of Thai Classical
Music to Popular Music in Recent Decades
GREAT LEKAKUL
5 Notes on Gender and Aesthetic Expression in Thai Indie Scene
WANATAYA MONGKON and SIRIPAT NAKNAM
6 Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music
Production
ATCHAREEYA SAISIN
7 Dancemocracy as Political Expression in the 2020 Thai Pro-democracy
Movement
ANNA LAWATTANATRAKUL
PART III: POLITICS OF SOUND
8 The Representations of Music Texts and the Female Voices in Haruethai
Hirunya and Fon Tanasoontorn's "I Am Not Okay"
KUNTHEE BANJUKEAW
9 Noise: Relistening to Non-musical Sound in Thailand
THATCHATHAM SILSUPAN
10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
PHAKPHOOM TIAVONGSUVAN
11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern
Thailand
VIRIYA SAWANGCHOT and SIRASAR BOONMA
PART IV: REGION AND CULTURAL POLITICS
12 Popular Music and the (Global) South of Thailand in the Place-Making
SIRIPORN SOMBOONBOORANA
13 Song as a Resource for Cultural Translation: Tai Popular Music in the
Borderlands of the Upper Mekong
WASAN PANYAGAEW
14 Morlam as Method: Isan Music and Its Knowledge GRIDTHIYA GAWEEWONG and
ARTHIT MULSARN
CODA
15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in
China
BRENDA CHAN
AFTERWORD
"Political Music Isn't Necessarily Boring": A Conversation with Pisitakun
Kuantalaeng
Preface
Introduction
VIRIYA SAWANGCHOT
PART I : HISTORIES
1 The Amplification of Modern Music: How Did Radio Broadcasting during the
1930s-1950s Influence Thai Modern Music?
FRANCIS NUNTASUKON
2 The 1950s-1970s Pleng Lukgrung and the Modern Gender in Thailand
JIRAWATE RUGCHAT
3 The Revolution of Pleng String and Politics of the 1980s Generation
VIRIYA SAWANGCHOT
PART II : COMTEMPORARY ISSUES
4 Reconstructing Thai Musical Identity: The Adaptation of Thai Classical
Music to Popular Music in Recent Decades
GREAT LEKAKUL
5 Notes on Gender and Aesthetic Expression in Thai Indie Scene
WANATAYA MONGKON and SIRIPAT NAKNAM
6 Pleng Lakorn: Thai Drama Series Theme Song and Changes of Popular Music
Production
ATCHAREEYA SAISIN
7 Dancemocracy as Political Expression in the 2020 Thai Pro-democracy
Movement
ANNA LAWATTANATRAKUL
PART III: POLITICS OF SOUND
8 The Representations of Music Texts and the Female Voices in Haruethai
Hirunya and Fon Tanasoontorn's "I Am Not Okay"
KUNTHEE BANJUKEAW
9 Noise: Relistening to Non-musical Sound in Thailand
THATCHATHAM SILSUPAN
10 A Discussion on Rock Guitar Heroes in Thai Heavy Metal Music
PHAKPHOOM TIAVONGSUVAN
11 Rod-Hae: Sound System Culture and Live Music Performance in Northeastern
Thailand
VIRIYA SAWANGCHOT and SIRASAR BOONMA
PART IV: REGION AND CULTURAL POLITICS
12 Popular Music and the (Global) South of Thailand in the Place-Making
SIRIPORN SOMBOONBOORANA
13 Song as a Resource for Cultural Translation: Tai Popular Music in the
Borderlands of the Upper Mekong
WASAN PANYAGAEW
14 Morlam as Method: Isan Music and Its Knowledge GRIDTHIYA GAWEEWONG and
ARTHIT MULSARN
CODA
15 Thai Pop and Vidding of Thai Television Dramas by Transcultural Fans in
China
BRENDA CHAN
AFTERWORD
"Political Music Isn't Necessarily Boring": A Conversation with Pisitakun
Kuantalaeng