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Nominated for 'Best First Collection' by Forward Prizes Poetry Book Society Recommendation
Magnolia , Nina Mingya Powles ' first full collection, dwells within the tender, shifting borderland between languages, and between poetic forms, to examine the shape and texture of memories, of myths, and of a mixed-race girlhood. Abundant with multiplicities, these poems find profound, distinctive joy in sensory nourishment - in the sharing of food, in the recounting of memoirs, or vividly within nature. This is a poetry deeply attuned to the possibilities within layers of written, spoken and inherited words. A journal of sound, colour, rain and light.…mehr

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Nominated for 'Best First Collection' by Forward PrizesPoetry Book Society Recommendation

Magnolia, Nina Mingya Powles' first full collection, dwells within the tender, shifting borderland between languages, and between poetic forms, to examine the shape and texture of memories, of myths, and of a mixed-race girlhood. Abundant with multiplicities, these poems find profound, distinctive joy in sensory nourishment - in the sharing of food, in the recounting of memoirs, or vividly within nature. This is a poetry deeply attuned to the possibilities within layers of written, spoken and inherited words. A journal of sound, colour, rain and light.


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Autorenporträt
Nina Mingya Powles is a writer and poet from Aotearoa New Zealand. She is the author of several books including Slipstitch, a pamphlet of poems and collages (2024), Magnolia ¿¿ (2020), Tiny Moons: A Year of Eating in Shanghai (2020) and a collection of essays, Small Bodies of Water (2021). She writes a monthly substack on food and memory called Crispy Noodles. She has been shortlisted for the Forward Prize for Best First Collection, the Ondaatje Prize, and she was awarded the Women Poet's Prize in 2018 and the inaugural Nan Shepherd Prize for nature writing in 2019. In the Hollow of the Wave is her second collection of poems published by Nine Arches Press.