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Kenya stands at a crossroads in its history and heritage, as the nation celebrates its fiftieth anniversary of independence from Britain in 2013. At this important juncture, what parts of its history, including the Mau Mau uprising, do citizens and state wish to remember and commemorate and what is best forgotten or occluded? What does heritage mean to ordinary Kenyans, and what role does it play in building nationhood and forging peace and reconciliation? Focusing on the 1990s to the present, "Managing Heritage, Making Peace" is a timely exploration of the ways in which Kenyans are engaging…mehr

Produktbeschreibung
Kenya stands at a crossroads in its history and heritage, as the nation celebrates its fiftieth anniversary of independence from Britain in 2013. At this important juncture, what parts of its history, including the Mau Mau uprising, do citizens and state wish to remember and commemorate and what is best forgotten or occluded? What does heritage mean to ordinary Kenyans, and what role does it play in building nationhood and forging peace and reconciliation? Focusing on the 1990s to the present, "Managing Heritage, Making Peace" is a timely exploration of the ways in which Kenyans are engaging with the past in the present, including such local initiatives as the community peace museums movement, local and national monuments and other notable commemorative actions. The authors show how Kenya is facing a continuing crisis over nationhood, heritage, memory and identity, which must be resolved to achieve social cohesion and peace.
Autorenporträt
Annie E. Coombes is Professor of Material and Visual Culture in the Department of History of Art at Birkbeck, University of London where she is also Founding Director of the Peltz Gallery. Her research focuses on colonial histories and their legacy in the present in Britain, South Africa, Kenya and Australia. She also works with contemporary artists whose work addresses these legacies. Her books include Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England (Yale, 1994) and the award-winning History After Apartheid: Visual Culture and Public Memory in a Democratic South Africa (Duke, 2003). She recently edited (with Ruth B. Phillips), Museum Transformations: Decolonization and Democratisation (Wiley/Blackwells, 2015).