This book traces the origins and unfolding of the insight of an interdependent and multi-centered reality, which Fazang crystallizes with the 'Ten Dharma-Gates,' and employs that insight to reflect on modern ethical and moral concerns, curriculum design, and aesthetics. Examination of the presuppositions of Buddhist thought-distinguishing it from the certainty of absolute-centered ideologies that subsume all meaning and values-should be of interest to academics. Aestheticians, artists, and Buddhist devotees will appreciate the intuitive sources of Buddhism. This book opens new vistas for Buddhist studies.
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