Scott T. Cummings

Maria Irene Fornes (eBook, PDF)

• Format: PDF

Produktbeschreibung

Maria Irene Fornes provides an enlightening introduction to a pivotal figure in both Hispanic-American and experimental theater. From her theatrical origins in 1960s Cuba to her precedent plays for the US stage, this book presents an important guide of work of this politically-charged playwright.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 232
• Erscheinungstermin: 12. Oktober 2012
• Englisch
• ISBN-13: 9781136720529
• Artikelnr.: 38274693

Autorenporträt

Scott T. Cummings is Chair of the Theatre Department of Boston College, where he directs plays and teaches courses in playwriting and dramatic literature. He is the author of Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company, as well as numerous performance reviews, journal articles, and essays on contemporary American theater and drama.

Inhaltsangabe

Overview
Part I -- The 1960s
"Let me be wrong. But also not know it."
1 Getting started
Bohemian roots: growing up in Havana
Bohemian roots: settling in Greenwich Village
Tango Palace (1963)
A metatheatrical conceit
2 Off-Off Broadway: The Good Scene
Cino, Judson, La MaMa, and others
The Open Theatre connection
The Successful Life of 3 (1965)
The Office (1966)
Dr. Kheal (1968)
A Vietnamese Wedding (1967)
The Red Burning Light (1968)
3 Key play: Promenade (the apotheosis of Judson)
The Judson Poets' Theatre
Promenade (as a one-act in 1965)
Promenade (as a full-length in 1969)
Molly's Dream (1973)
Part II -- The 1970s
"If we're showing what life is, can be, we must do theatre."
4 Finding a way
New York Theatre Strategy
Aurora (1974)
INTAR and the Hispanic Playwrights-in-Residence Laboratory
Cap-a-Pie (1975)
Eyes on the Harem (1979)
5 Key play: Fefu and Her Friends (turning over the stone)
Fefu and Her Friends: The Basic Action
Fefu and Her Friends: The experimental second act
Fefu and Her Friends: at At the Foot of the Mountain
Fefu and Her Friends: at the Yale Repertory Theatre
Part III -- The 1980s
"I have to learn how to lead my life."
6 Found
Theater for the New City
Padua Hills
Fondness for the Found
Evelyn Brown (A Diary) (1980)
A Visit (1981)
The Trial of Joan of Arc in a Matter of Faith (1986)
7 The PAJ Plays
The Danube (1983)
"Irene Time"
Mud (1983)
Sarita (1984)
The "emotigraph" as unit of construction
The Conduct of Life (1985)
The rhetoric of space/the space of rhetoric
8 Key play: Abingdon Square (conquering the vagueness)
Teaching playwriting
Lovers and Keepers (1986)
Abingdon Square: Genesis and production history
Abingdon Square: Marion as Fornes Innocent
Abingdon Square: the process of imagination
"The Poetry of Space in a Box"
Part IV -- The 1990s
"Where are we in relation to all this?"
9 The Night Plays
What of the Night? (1989)
Oscar and Bertha (1992)
Enter the Night (1993)
Manual For a Desperate Crossing (Balseros/Rafters) (1997)
Terra Incognita (1997)
10 Coming to an end
The Summer at Gossensass (1998)
Fornes and Hedda Gabler
Letters From Cuba (2000)
Legacy
Drowning as paradigm
"This must be made by a person."