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*Winner of the CHOICE Outstanding Academic Book Prize, 2019* *Shortlisted for the Isaac Deutscher Prize 2019* Why Marxism? Why today? In the first introduction to Marxist literary criticism to be published in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology - historical materialism, political economy and ideology critique - as well as key debates, among Marxists and non-Marxists alike, about the nature of literature…mehr
*Winner of the CHOICE Outstanding Academic Book Prize, 2019*
*Shortlisted for the Isaac Deutscher Prize 2019*
Why Marxism? Why today? In the first introduction to Marxist literary criticism to be published in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society.
She lays out in clear terms the principal aspects of Marxist methodology - historical materialism, political economy and ideology critique - as well as key debates, among Marxists and non-Marxists alike, about the nature of literature and the goals of literary criticism and pedagogy.
Foley examines through the empowering lens of Marxism a wide range of texts: from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey; from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'; from W.B. Yeats's 'The Second Coming' to Claude McKay's 'If We Must Die'.
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Autorenporträt
Barbara Foley is Distinguished Professor of English at Rutgers University, Newark. She has published widely in the fields of Marxist criticism, US literary radicalism, and African American literature. Her books include Marxist Literary Criticism Today (Pluto, 2019), Wrestling with the Left: The Making of Ralph Ellison's Invisible Man (Duke University Press, 2010) and Spectres of 1919: Class and Nation in the Making of the New Negro (University of Illinois Press, 2003).
Inhaltsangabe
Acknowledgements Prologue PART I: MARXISM 1. Historical Materialism Materialism Production Dialectics Class Base and Superstructure Relative Autonomy Mediation Levels of Generality 2. Political Economy Commodities Commodity Fetishism Labor Power and Exploitation Surplus Value Alienation Capital 3. Ideology Three Definitions of Ideology in Marx Dominant Ideology Relative Autonomy and Mediation Revisited Ideology as Smorgasbord Reification Interpellation Hegemony and Alternative Hegemony PART II: LITERATURE 4. Literature and Literary Criticism Defining Literature Fictionality Density Depth Concreteness and Particularity Showing Not Telling Defamiliarization Universality Empathy Individuality Group Identity Formal Unity Autonomy Beauty Greatness 5. Marxist Literary Criticism Rhetoric and Interpellation Ideology Critique Symptomatic Reading Humanism Realism Proletarian Literature and Alternative Hegemony 6. Marxist Pedagogy Alienation Rebellion Nation War Money Race and Racism Gender and Sexuality Nature Mortality Art Notes Bibliography Index
Acknowledgements Prologue PART I: MARXISM 1. Historical Materialism Materialism Production Dialectics Class Base and Superstructure Relative Autonomy Mediation Levels of Generality 2. Political Economy Commodities Commodity Fetishism Labor Power and Exploitation Surplus Value Alienation Capital 3. Ideology Three Definitions of Ideology in Marx Dominant Ideology Relative Autonomy and Mediation Revisited Ideology as Smorgasbord Reification Interpellation Hegemony and Alternative Hegemony PART II: LITERATURE 4. Literature and Literary Criticism Defining Literature Fictionality Density Depth Concreteness and Particularity Showing Not Telling Defamiliarization Universality Empathy Individuality Group Identity Formal Unity Autonomy Beauty Greatness 5. Marxist Literary Criticism Rhetoric and Interpellation Ideology Critique Symptomatic Reading Humanism Realism Proletarian Literature and Alternative Hegemony 6. Marxist Pedagogy Alienation Rebellion Nation War Money Race and Racism Gender and Sexuality Nature Mortality Art Notes Bibliography Index
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