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This volume examines the emergence of alternative spaces and architectural landscapes of Islamic practice in contemporary Africa through the lens of the masjid, whose definition as a &quote;place of prostration&quote; has enabled Muslim populations across the continent to navigate the murky waters of the contemporary condition through a purposeful renovation of spiritual space. Drawing from multiple disciplines and utilizing a series of diverse case studies, Michelle Apotsos reflects on the shifting realities of Islamic communities as they engage in processes of socio-political and cultural…mehr

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Produktbeschreibung
This volume examines the emergence of alternative spaces and architectural landscapes of Islamic practice in contemporary Africa through the lens of the masjid, whose definition as a "e;place of prostration"e; has enabled Muslim populations across the continent to navigate the murky waters of the contemporary condition through a purposeful renovation of spiritual space. Drawing from multiple disciplines and utilizing a series of diverse case studies, Michelle Apotsos reflects on the shifting realities of Islamic communities as they engage in processes of socio-political and cultural transformation. Illustrated through the growth of forward-thinking and in flexible environments that highlight how Muslim communities have developed unique solutions to the problem of performing identity within diverse contexts across the continent, she re-imagines the major themes surrounding definitions of Islamic architectural space in the contemporary period in Africa and the nature of the "e;modernity"e; as it has unfolded across diverse contexts on the continent.

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Autorenporträt
Michelle Apotsos is Associate Professor in African Art History at Williams College, where she specialises in Afro-Islamic architectural sites and landscapes. She is the author of Architecture, Islam, and Identity in West Africa: Lessons from Larabanga (2016) and has published in various journals including African Arts, the International Journal of Islamic Architecture, and Material Culture Review. She is a member of the African Studies Association, the Arts Council of the African Studies Association, the Society of Architectural Historians and the Global Architectural History Teaching Collaborative based at MIT.