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With increasingly accessible camera technology, crowdsourced public media projects abound like never before
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With increasingly accessible camera technology, crowdsourced public media projects abound like never before
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 9. September 2020
- Englisch
- ISBN-13: 9781000213416
- Artikelnr.: 60118922
- Verlag: Taylor & Francis
- Seitenzahl: 268
- Erscheinungstermin: 9. September 2020
- Englisch
- ISBN-13: 9781000213416
- Artikelnr.: 60118922
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Annebella Pollen is Principal Lecturer and Academic Programme Leader in the History of Art and Design at the University of Brighton, UK.
List of IllustrationsAcknowledgementsIntroduction: Approaching Mass
Photography: Methods, Models and DebatesChapter 1: Days in the life: From
Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity,
competition, archiveChapter 3: Everyday life and ordinary photography:
Documentary hopes and expectationsChapter 4: Scale and monumentality:
Collective identity and imagined communityChapter 5: Humanism and
compassion: Photographic democracy and emotional affectChapter 6:
Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time
capsules: Photographic memory and historical desireChapter 8: Legacies,
promises and potentialAppendix: Research methodsIndex
Photography: Methods, Models and DebatesChapter 1: Days in the life: From
Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity,
competition, archiveChapter 3: Everyday life and ordinary photography:
Documentary hopes and expectationsChapter 4: Scale and monumentality:
Collective identity and imagined communityChapter 5: Humanism and
compassion: Photographic democracy and emotional affectChapter 6:
Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time
capsules: Photographic memory and historical desireChapter 8: Legacies,
promises and potentialAppendix: Research methodsIndex
List of IllustrationsAcknowledgementsIntroduction: Approaching Mass Photography: Methods, Models and DebatesChapter 1: Days in the life: From Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity, competition, archiveChapter 3: Everyday life and ordinary photography: Documentary hopes and expectationsChapter 4: Scale and monumentality: Collective identity and imagined communityChapter 5: Humanism and compassion: Photographic democracy and emotional affectChapter 6: Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time capsules: Photographic memory and historical desireChapter 8: Legacies, promises and potentialAppendix: Research methodsIndex
List of IllustrationsAcknowledgementsIntroduction: Approaching Mass
Photography: Methods, Models and DebatesChapter 1: Days in the life: From
Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity,
competition, archiveChapter 3: Everyday life and ordinary photography:
Documentary hopes and expectationsChapter 4: Scale and monumentality:
Collective identity and imagined communityChapter 5: Humanism and
compassion: Photographic democracy and emotional affectChapter 6:
Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time
capsules: Photographic memory and historical desireChapter 8: Legacies,
promises and potentialAppendix: Research methodsIndex
Photography: Methods, Models and DebatesChapter 1: Days in the life: From
Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity,
competition, archiveChapter 3: Everyday life and ordinary photography:
Documentary hopes and expectationsChapter 4: Scale and monumentality:
Collective identity and imagined communityChapter 5: Humanism and
compassion: Photographic democracy and emotional affectChapter 6:
Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time
capsules: Photographic memory and historical desireChapter 8: Legacies,
promises and potentialAppendix: Research methodsIndex
List of IllustrationsAcknowledgementsIntroduction: Approaching Mass Photography: Methods, Models and DebatesChapter 1: Days in the life: From Mass Observation to crowdsourcingChapter 2: One Day for Life: Charity, competition, archiveChapter 3: Everyday life and ordinary photography: Documentary hopes and expectationsChapter 4: Scale and monumentality: Collective identity and imagined communityChapter 5: Humanism and compassion: Photographic democracy and emotional affectChapter 6: Competitive aesthetics: Art, amateurism and ambitionChapter 7: Visual time capsules: Photographic memory and historical desireChapter 8: Legacies, promises and potentialAppendix: Research methodsIndex