The document they purchased detailed ten European masterpieces that had been presumed lost forever during World War II but were actually stolen by a German general as he attempted to flee Germany. Heidi and her twin sister Emma's father was in charge of guarding the paintings in Neuschwanstein Castle at the time, and after the general made off with the paintings he removed the corresponding sheet from a Nazi stolen painting log book. When he attempted to sell the sheet years later, it set the stage for his murder and his daughter's names being place on a list of loose ends that needed to be tied off by the ruthless aristocrats who were hell bent on retrieving the paintings and eliminating everyone who knew about them.
Once Turner and his wife are brought into her employer's illicit transaction, they find themselves intertwined with the Fendler girls' quest to regain the custody of Heidi's daughter and escape Berlin before being crossed off the aristocrat's to do list. Turner and Melissa quickly realize that the only way to save the Fendler family is to expose the caper before the paintings disappear forever, but the three aristocrats they are jousting with have both the resources and manpower to steamroll anything between them and the paintings.
Will the Fendler girls be able to secure the freedom of Heidi's daughter and escape Berlin, or will the tripartite agreement made by some of Europe's most ruthless robber-barons be consummated, allowing the dastardly trio to cash in on the paintings and continue their looting of the Post-World War II European Recovery Project's coffers?
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