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When they are very little just only a baby you can never tell which one is to be a lady. There are some when they feel it inside them that it has been with them that there was once so very little of them, that they were a baby, helpless and no conscious feeling in them, that they knew nothing then when they were kissed and dandled and fixed by others who knew them when they could know nothing inside them or around them, some get from all this that once surely happened to them to that which was then every bit that was then them, there are some when they feel it later inside them that they were…mehr

Produktbeschreibung
When they are very little just only a baby you can never tell which one is to be a lady.
There are some when they feel it inside them that it has been with them that there was once so very little of them, that they were a baby, helpless and no conscious feeling in them, that they knew nothing then when they were kissed and dandled and fixed by others who knew them when they could know nothing inside them or around them, some get from all this that once surely happened to them to that which was then every bit that was then them, there are some when they feel it later inside them that they were such once and that was all that there was then of them, there are some who have from such a knowing an uncertain curious kind of feeling in them that their having been so little once and knowing nothing makes it all a broken world for them that they have inside them, kills for them the everlasting feeling; and they spend their life in many ways, and always they are trying to make for themselves a new everlasting feeling.

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Autorenporträt
Gertrude Stein (1874–1946) was a towering figure in the realm of early 20th-century literature, an innovative author whose contributions left an indelible mark on modernist prose. Born in Pennsylvania and raised in Oakland, California, Stein attended Radcliffe College and later studied at Johns Hopkins Medical School, although she did not graduate. Stein's literary style is renowned for its experimental nature, especially her use of stream-of-consciousness and repetition to capture the flow of thought and the essence of existence. She moved to Paris in 1903, where she became a central figure in the avant-garde art scene, famously hosting a salon that was frequented by illustrious artists and writers like Picasso, Hemingway, and Fitzgerald. One of her notable works that captures her musings on art and literature is 'Matisse Picasso and Gertrude Stein', a collection that encompasses her innovative literary technique and positions her as both a witness to and participant in the unfolding modernist movement. Stein's writing is not simply narrative; it is a mosaic that reflects her intellectual pursuits and her engagement with contemporaneous artistic developments. A lesbian, Stein's lifelong relationship with Alice B. Toklas, notably chronicled in 'The Autobiography of Alice B. Toklas' (1933), also offers insights into the bohemian lifestyle of Paris during the early 20th century. Stein's literature and her unorthodox approach to syntax and grammar have inspired and challenged readers and writers alike, ensuring her legacy as a pioneering figure in modernist literature.