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Ian Johnston offers an informal historical approach that shows the evolution of both theory and application at the intersection of physics and music. Exceptionally accessible, insightful, and now updated to consider modern technology, the new edition of this critically acclaimed bestseller features a greater examination of psycho-acoustics and its role in the design of MP3s. It also includes expanded information on the gamelan and other Asian percussion instruments, and discusses binary notation, digitization, and electronic manipulation of music. A complementary website provides sound files, further reading, and instructional support.…mehr

Produktbeschreibung
Ian Johnston offers an informal historical approach that shows the evolution of both theory and application at the intersection of physics and music. Exceptionally accessible, insightful, and now updated to consider modern technology, the new edition of this critically acclaimed bestseller features a greater examination of psycho-acoustics and its role in the design of MP3s. It also includes expanded information on the gamelan and other Asian percussion instruments, and discusses binary notation, digitization, and electronic manipulation of music. A complementary website provides sound files, further reading, and instructional support.

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Autorenporträt
Ian Johnston spent his early years on a pineapple farm in southern Queensland, studied physics and mathematics at the Universities of Queensland and Sydney, and was appointed to a lecturing position at the University of Sydney in the late 1960s. He has been there ever since until he retired in 2001, except for two separate years in the U.S. at Cornell and Maryland Universities and one year in England at the Open University.

His early research work was in theoretical astrophysics, but lately he has become interested in research into physics education, with particular emphasis on the role to be played by computers and other forms of information technology. He has written a deal of educational software as a member of several international consortiums, most notably the Maryland University Project in Physics and Educational Technology (M.U.P.P.E.T.) and the Consortium for Upper-Level Physics Software (CUPS). His interest in acoustics and music has been with him all his working life.

In 1989 he made a series of six programs on Australian national radio, devoted to physics and music. It was from those programs that the idea of this book first arose. He has also made programs on other subjects of general interest, including astronomy and religion, science fiction and pseudo-science.