Media Theory for A Level provides a comprehensive introduction to the 19 academic theories required for A Level Media study.
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Autorenporträt
Mark Dixon is an Eduqas A Level examiner and Head of Media and Film at Durham Sixth Form Centre. He is also a freelance author, and has written for The Guardian, TES, Media Magazine and Teach Secondary as well as authoring a range of digital resources for Eduqas Media.
Inhaltsangabe
Media language
1. Semiotics: Roland Barthes
2. Structuralism: Claude Leìvi-Strauss
3. Narratology: Tzvetan Todorov
4. Genre theory: Steve Neale
5. Postmodernism: Jean Baudrillard
Media representation
6. Representation: Stuart Hall
7. Postcolonial theory: Paul Gilroy
8. Feminist theory: Liesbet van Zoonen
9. Intersectionality: bell hooks
10. Gender as performance: Judith Butler
11. Media and identity: David Gauntlett
Media industries
12. Ownership Effects: James Curran and Jean Seaton
13. Regulation: Sonia Livingstone and Peter Lunt
14. The culture industry: David Hesmondhalgh
Media Audiences
15. Media modelling effects: Albert Bandura
16. Cultivation theory: George Gerbner
17. Reception theory: Stuart Hall
18. Fandom: Henry Jenkins
19. The end of audience: Clay Shirky
Media language 1. Semiotics: Roland Barthes Concept 1: Denotation and connotation Concept 2: The media's ideological effect 2. Structuralism: Claude Lévi-Strauss Concept 1:Binary oppositions Concept 2: Binary oppositions and ideological significance 3. Narratology: Tzvetan Todorov Concept 1: The three-act ideal Concept 2: The ideological effects of story structure 4. Genre theory: Steve Neale Concept 1: Repetition and difference Concept 2: Industry effects on genre-driven content 5. Postmodernism: Jean Baudrillard Key concept: The real and the hyperreal Media representation 6. Representation: Stuart Hall Concept 1: Media representation processes Concept 2: Stereotypes and power 7. Postcolonial theory: Paul Gilroy Concept 1: Racial binaries, otherness and civilisationism Concept 2: The legacy of empire and British identity 8. Feminist theory: Liesbet van Zoonen Concept 1: The female body as spectacle Concept 2: Masculinity in the media 9. Intersectionality: bell hooks Concept 1: Interconnected oppression Concept 2: hooks' call to action 10. Gender as performance: Judith Butler Concept 1: Gendered identities are constructed through repetition and ritual Concept 2: Gender subversion and gendered hierarchies 11. Media and identity: David Gauntlett Concept 1: Traditional and post-traditional media consumption Concept 2: Reflexive identity construction Media industries 12. Ownership effects: James Curran and Jean Seaton Concept 1: Media concentration Concept 2: Effects of concentration on media content Concept 3: Diverse ownership creates diverse products 13. Regulation: Sonia Livingstone and Peter Lunt Concept 1: Citizen and consumer models of media regulation Concept 2: Regulation in the globalised media age 14. The culture industry: David Hesmondhalgh Concept 1: Maximising profits and minimising risks Concept 2: The effects of the internet revolution are difficult to diagnose Media audiences 15. Media modelling effects: Albert Bandura Concept 1: Violent behaviours are learned through modelling Concept 2: Audiences copy media modelling 16. Cultivation theory: George Gerbner Concept 1: Fear cultivation Concept 2: Media consumption leads audiences to accept mainstream ideologies 17. Reception theory: Stuart Hall Concept 1: Encoding and decoding Concept 2: Dominant, negotiated and oppositional decoding 18. Fandom: Henry Jenkins Concept 1: Fan appropriation Concept 2: Audience-producer convergence in the digital age Concept 3: Fans use participatory culture to effect wider social change 19. The end of audience: Clay Shirky Concept 1: Everybody makes the media Concept 2: Everyday communities of practice Bibliography Index
12. Ownership Effects: James Curran and Jean Seaton
13. Regulation: Sonia Livingstone and Peter Lunt
14. The culture industry: David Hesmondhalgh
Media Audiences
15. Media modelling effects: Albert Bandura
16. Cultivation theory: George Gerbner
17. Reception theory: Stuart Hall
18. Fandom: Henry Jenkins
19. The end of audience: Clay Shirky
Media language 1. Semiotics: Roland Barthes Concept 1: Denotation and connotation Concept 2: The media's ideological effect 2. Structuralism: Claude Lévi-Strauss Concept 1:Binary oppositions Concept 2: Binary oppositions and ideological significance 3. Narratology: Tzvetan Todorov Concept 1: The three-act ideal Concept 2: The ideological effects of story structure 4. Genre theory: Steve Neale Concept 1: Repetition and difference Concept 2: Industry effects on genre-driven content 5. Postmodernism: Jean Baudrillard Key concept: The real and the hyperreal Media representation 6. Representation: Stuart Hall Concept 1: Media representation processes Concept 2: Stereotypes and power 7. Postcolonial theory: Paul Gilroy Concept 1: Racial binaries, otherness and civilisationism Concept 2: The legacy of empire and British identity 8. Feminist theory: Liesbet van Zoonen Concept 1: The female body as spectacle Concept 2: Masculinity in the media 9. Intersectionality: bell hooks Concept 1: Interconnected oppression Concept 2: hooks' call to action 10. Gender as performance: Judith Butler Concept 1: Gendered identities are constructed through repetition and ritual Concept 2: Gender subversion and gendered hierarchies 11. Media and identity: David Gauntlett Concept 1: Traditional and post-traditional media consumption Concept 2: Reflexive identity construction Media industries 12. Ownership effects: James Curran and Jean Seaton Concept 1: Media concentration Concept 2: Effects of concentration on media content Concept 3: Diverse ownership creates diverse products 13. Regulation: Sonia Livingstone and Peter Lunt Concept 1: Citizen and consumer models of media regulation Concept 2: Regulation in the globalised media age 14. The culture industry: David Hesmondhalgh Concept 1: Maximising profits and minimising risks Concept 2: The effects of the internet revolution are difficult to diagnose Media audiences 15. Media modelling effects: Albert Bandura Concept 1: Violent behaviours are learned through modelling Concept 2: Audiences copy media modelling 16. Cultivation theory: George Gerbner Concept 1: Fear cultivation Concept 2: Media consumption leads audiences to accept mainstream ideologies 17. Reception theory: Stuart Hall Concept 1: Encoding and decoding Concept 2: Dominant, negotiated and oppositional decoding 18. Fandom: Henry Jenkins Concept 1: Fan appropriation Concept 2: Audience-producer convergence in the digital age Concept 3: Fans use participatory culture to effect wider social change 19. The end of audience: Clay Shirky Concept 1: Everybody makes the media Concept 2: Everyday communities of practice Bibliography Index
Rezensionen
"This is a truly insightful book which addresses important changes in today's media landscape. It engages the reader through clear exposition, compelling examples and a lively invitation to engage in urgent debates."
Professor Sonia Livingstone, Department of Media and Communications, London School of Economics and Political Science
"The book media teachers have been waiting for. As well as accessible explanations of the theories that never patronise or over-simplify, Mark Dixon provides a series of questions that encourage a critical approach to applying the set theories to a range of media products. The book makes links and draws comparisons between overlapping theorists, provides useful explanations of key theoretical terms and even interviews some of the key thinkers to get a more detailed and updated explanation of how their ideas apply to the current media landscape.
Dixon not only gives a concise summary of each of the set theories but also attempts to root them in the sociological, technological or cultural studies traditions from which they were inspired. This is essential reading for all media teachers and I'm already using it with the teacher trainees I work with."
Claire Pollard, Media Magazine
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