Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Medieval Manuscripts in the Digital Age explores one major manuscript repository's digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment.
Medieval Manuscripts in the Digital Age explores one major manuscript repository's digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Benjamin Albritton is the Rare Books Curator at Stanford Libraries. He is a medievalist and musicologist and spent nearly a decade managing digital projects including Parker on the Web, collaborations with the Vatican Library and others, and playing a key role in the inception and development of the International Image Interoperability Framework. Georgia Henley is Assistant Professor of English at Saint Anselm College and a Junior Fellow in the Andrew W. Mellon Society of Fellows in Critical Bibliography. Previously she held a postdoctoral appointment at Stanford's Center for Spatial and Textual Analysis. Elaine Treharne is Roberta Bowman Denning Professor of Humanities at Stanford University, and Director of Stanford Text Technologies. She is a medievalist and handmade book expert, currently completing The Phenomenal Book. She is a Fellow of the Society of Antiquaries, of the Royal Historical Society, and of the English Association.
Inhaltsangabe
1. Introduction
Benjamin Albritton and Elaine Treharne
Part I. Theory and Practice
2. What it is to be a Digitization Specialist: Chasing Medieval Materials in a Sea of Pixels
Astrid J. Smith
3. From the Divine to the Digital: Digitization as Resurrection and reconstruction
Keri Thomas
4. A Note on Technology and Functionality in Digital Manuscript Studies
Abigail G. Robertson
5. Ways of Seeing Manuscripts: Exploring Parker 2.0
Andrew Prescott
Part II. Materialities
6. A Note on Cambridge, Corpus Christi College, 210
Orietta Da Rold
7. Cambridge, Corpus Christi College, 367 Part II: A Study in (Digital) Codicology
Peter A. Stokes
8. Pocket Change: Cambridge, Corpus Christi College, 383 and the Value of the Virtual Object
Anya Adair
9. Rolling with It: Navigating Absence in the Digital Realm
Siân Echard
Part III. Translation and Transmission
10. 'Glocal' Matters: The Gospels of St Augustine as a Codex in Translation
Mateusz Fafinski
11. Encyclopaedic Notes in Cambridge, Corpus Christi College, 320
John J. Gallagher
12. Cambridge, Corpus Christi College, 322: Tradition and Transmission
David F. Johnson
13. Cambridge, Corpus Christi College, 41 and 286: Digitization as Translation
Sharon M. Rowley
Part IV. Of Multimedia and the Multilingual
14. Fragmentation and Wholeness in Cambridge, Corpus Christi College, 16
A. Joseph McMullen
15. Cambridge, Corpus Christi College, 144 and 402: Mercian Intellectual Culture in pre-Conquest England (and beyond)
Lindy Brady
16. Philologia and Philology: Allegory, Multilingualism and the Corpus Martianus Capella
Elizabeth Boyle
17. Remediation and Multilingualism in Corpus Christi College, 402
Carla María Thomas
Part V. Forms of Reading
18. Living with Books in Early Medieval England: Solomon and Saturn, Bibliophilia, and the Globalist Red Book of Darley
Erica Weaver
19. Severed Heads and Sutured Skins
Catherine E. Karkov
20. Books Consumed, Books Multiplied: Martianus Capella, Ælfric's Homilies, and the International Image Interoperability Framework
