Michael S. Richardson

Medievalism and Nationalism in German Opera (eBook, PDF)

Euryanthe to Lohengrin

• Format: PDF

Produktbeschreibung

In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 200
• Erscheinungstermin: 29. November 2020
• Englisch
• ISBN-13: 9781351806374
• Artikelnr.: 60431436

Autorenporträt

Michael Richardson completed his PhD in Music History and Theory from Stony Brook University, USA in 2015. He received a DAAD grant to conduct dissertation research in Germany for the 2012/13 academic year under the guidance of Annette Kreutziger-Herr. His research interests include late eighteenth- and nineteenth-century German, French, and Russian opera, nineteenth-century European folklorism and nationalism, medievalism and medieval music reception. He has given talks at a number of domestic and international conferences, including at AMS Milwaukee in 2014, Oxford University, and St. Petersburg, Russia.

Inhaltsangabe

Chapter 1: German Opera, the Rediscovery of the Middle Ages, and the
Building of a
Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber's
Euryanthe and Wagner's
Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert's
Fierrabras
Chapter 4: Christianity: Church Music as a Signifier of "Pastness" in
Schumann's Genoveva
Chapter 5: Chivalry: Masculinity and Nation in Marschner's Der Templer und
die Jüdin and Wagner's
Chapter 6: The Drive Toward Unification, Die Meistersinger von Nürnberg,
and Modern