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Henri Barbusse's 'Meissonier' provides a comprehensive analysis of the life and work of the renowned French artist, Jean-Louis-Ernest Meissonier. Barbusse's writing style effortlessly captures the essence of Meissonier's artistic techniques, particularly his attention to detail and historical accuracy in his paintings. The book delves into the intricate brushstrokes and meticulous compositions that defined Meissonier's realism, shedding light on his significance in the art world of the 19th century. Barbusse's scholarly approach offers readers a deeper appreciation for Meissonier's…mehr

Produktbeschreibung
Henri Barbusse's 'Meissonier' provides a comprehensive analysis of the life and work of the renowned French artist, Jean-Louis-Ernest Meissonier. Barbusse's writing style effortlessly captures the essence of Meissonier's artistic techniques, particularly his attention to detail and historical accuracy in his paintings. The book delves into the intricate brushstrokes and meticulous compositions that defined Meissonier's realism, shedding light on his significance in the art world of the 19th century. Barbusse's scholarly approach offers readers a deeper appreciation for Meissonier's masterpieces within the context of French Realism and Academic art. This meticulously researched book serves as a valuable resource for art enthusiasts and scholars alike. Henri Barbusse, known for his own contributions to literature with works like 'Under Fire,' demonstrates his expertise in art history through 'Meissonier.' His keen insights into Meissonier's life and artistry enrich the reader's understanding of this influential figure. Art history aficionados and aspiring artists will find 'Meissonier' to be a captivating exploration of one of France's most celebrated painters, making it a must-read for those interested in the intersection of art and history.
Autorenporträt
Henri Barbusse (1873 - 1935) was a French novelist and a member of the French Communist Party. He was a lifelong friend of Albert Einstein. The Russian Revolution had significant influence on Barbusse's life and work. He joined the French Communist Party in 1923 and later traveled back to the Soviet Union. His later works, Manifeste aux Intellectuels (Elevations) (1930) and others, show a more revolutionary standpoint. Of these, the 1921 Le Couteau entre les dents (The Knife Between My Teeth) marks Barbusse's siding with Bolshevism and the October Revolution. Barbusse characterized the birth of Soviet Russia as "the greatest and most beautiful phenomenon in world history." The book Light from the Abyss (1919) and the collection of articles Words of a Fighting Man (1920) contain calls for the overthrow of capitalism. In 1925, Barbusse published Chains, showing history as the unbroken chain of suffering of people and their struggle for freedom and justice. In the publicistic book The Butchers, he exposes the White Terror in the Balkan countries.