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Excerpt: 'At the close of the first day they brought Baruch into the great Hall of the Oblates, sometime called the Hall of the Unexpected. The young man walked with eyes downcast. Aloft in the vast spaces the swinging domes of light made more reddish his curly beard, deepened the hollows on either side of his sweetly pointed nose, and accented the determined corners of his firmly modelled lips. He was dressed in a simple tunic and wore no Talith; and as he slowly moved up the wide aisle the Grand Inquisitor, visibly annoyed by the resemblance, said to his famulus, 'The heretic dares to imitate the Master.' He crossed himself and shuddered.'…mehr

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Excerpt: 'At the close of the first day they brought Baruch into the great Hall of the Oblates, sometime called the Hall of the Unexpected. The young man walked with eyes downcast. Aloft in the vast spaces the swinging domes of light made more reddish his curly beard, deepened the hollows on either side of his sweetly pointed nose, and accented the determined corners of his firmly modelled lips. He was dressed in a simple tunic and wore no Talith; and as he slowly moved up the wide aisle the Grand Inquisitor, visibly annoyed by the resemblance, said to his famulus, 'The heretic dares to imitate the Master.' He crossed himself and shuddered.'

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Autorenporträt
James Gibbons Huneker was an American art, literary, music, and theatrical reviewer. A colorful individual and an ambitious writer, he was "an American with a great mission," in the words of his friend, the critic Benjamin De Casseres, and that mission was to educate Americans about the best cultural achievements, native and European, of his day. From 1892 to 1899, he was the husband of sculptor Clio Hinton. Huneker was born in Philadelphia. His parents forced him to study law, but he realized that a legal career was not for him; he was enthusiastic about music and writing, and hoped to one day be a concert pianist and novelist. Huneker and his wife and child returned to Philadelphia the next year, but he was never content in his hometown and longed for the larger stage of New York, where he wanted to try his luck as a journalist while continuing his musical studies. He relocated to New York City in 1886, abandoning his wife and child. He scraped by providing piano lessons and lived a downtown bohemian lifestyle while studying with Franz Liszt's student Rafael Joseffy, who became a friend and mentor. (Huneker's musical gods were Liszt, Chopin, and Brahms. In 1900, he released a biography of Chopin and wrote a commentary on Chopin's complete works for Schirmer's Music Publishing Company.