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  • Format: ePub

When musician Marcus Lewis buys the derelict farmhouse next to Jodie' Eriksson's riding school he doesn't know whether to be amused or irritated by her angry reaction to his plans. Then her sister Izzie visits him and makes things a whole lot worse...or is it better...because now he has an excuse to see Jodie again. Although, when he sees her, it's not exactly a meeting of minds, they do discover they have one thing in common; they both believe they know what's best for Izzie, and for Marcus' son Luke. It turns out they're wrong. The children they thought they were protecting need to be set…mehr

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Produktbeschreibung
When musician Marcus Lewis buys the derelict farmhouse next to Jodie' Eriksson's riding school he doesn't know whether to be amused or irritated by her angry reaction to his plans. Then her sister Izzie visits him and makes things a whole lot worse...or is it better...because now he has an excuse to see Jodie again. Although, when he sees her, it's not exactly a meeting of minds, they do discover they have one thing in common; they both believe they know what's best for Izzie, and for Marcus' son Luke. It turns out they're wrong. The children they thought they were protecting need to be set free. It's Jodie and Marcus who have the problem; but can two broken hearts make one whole one? The battle lines that were set when they first met have long since been breached but the war won't be over until Jodie learns how to trust again, and until Marcus allows himself to believe in his son.

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Autorenporträt
Born and educated on the south coast of England, Sheila Claydon has gradually moved northwards across the UK. Now living in northwest England on a stunning stretch of unspoiled coastline, she finds walking a constant source of inspiration as well as a counterweight to the sedentary life of a writer. Interspersed with her writing is a long and varied career in health, education and employment. She likes to think she is a better writer because of those experiences, and also admits to basing some of her characters on people she has worked with in the past. Her motto is a quote by the late Ray Bradbury: 'First, find out what your hero wants. Then just follow him.'¿ She starts with plots, chapter outlines, characterisation, each time she starts to write a new story. Then the hero takes over and she follows him instead...'