52,95 €
52,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
26 °P sammeln
52,95 €
52,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
26 °P sammeln
Als Download kaufen
52,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
26 °P sammeln
Jetzt verschenken
52,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
26 °P sammeln
  • Format: ePub

When Olivier Messiaen (1908-1992) completed the vast opera Saint François d Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. In fact, he completed seven further works, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernible change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony. Part I…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 5.55MB
Produktbeschreibung
When Olivier Messiaen (1908-1992) completed the vast opera Saint François d Assise in 1983, he was mentally and physically exhausted, and believed that this monumental work would be his final compositional statement. In fact, he completed seven further works, and these form the focus of the present study. Christopher Dingle suggests that, following the crisis provoked by the opera, Messiaen's music underwent a discernible change in style. He examines these seven works to identify characteristics of the composer's music, in particular an often overlooked aspect of his technique: harmony. Part I of the book begins with a brief historical survey before discussing Saint François d Assise as the work which defines everything that follows. Part II examines the series of miniatures that came after the opera and their links with Éclairs sur l Au-Delà..., his final masterpiece. Éclairs forms the subject of Part III of the book. Each movement is analysed in turn, before the work is considered as a whole and its hidden structure and motivic cohesion is revealed. Finally, Part IV considers the incomplete Concert à 4 and key stylistic features of the works of Messiaen's final years.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Christopher Dingle is Reader in Music at Birmingham Conservatoire, UK. He is the author of the acclaimed biography The Life of Messiaen (Cambridge University Press), co-editor of Olivier Messiaen: Music, Art and Literature (Ashgate) and is editing, with Robert Fallon, two further collections of essays, Messiaen Perspectives 1: Sources and Influences and Messiaen Perspectives 2: Techniques, Influence and Reception (both Ashgate). He is also editing The Cambridge History of Music Criticism (CUP, forthcoming) and is a member of the review panel for BBC Music Magazine.