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  • Format: ePub

In "Metabor. Skid Mark of the Force Before the Shape," the boundaries between reality and language blur in a thought-provoking exploration of abstract and philosophical themes. The author delves into the complex interplay between perception, consciousness, and expression, presenting the idea of "skid marks" as metaphors for the shifts and cuts in our understanding of reality.
This book examines the hidden mechanisms within our technological and inner selves, reflecting on how data translation creates secret voids of "capture" and "removal." Through vivid imagery and intricate metaphors, the
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Produktbeschreibung
In "Metabor. Skid Mark of the Force Before the Shape," the boundaries between reality and language blur in a thought-provoking exploration of abstract and philosophical themes. The author delves into the complex interplay between perception, consciousness, and expression, presenting the idea of "skid marks" as metaphors for the shifts and cuts in our understanding of reality.

This book examines the hidden mechanisms within our technological and inner selves, reflecting on how data translation creates secret voids of "capture" and "removal." Through vivid imagery and intricate metaphors, the text explores existential questions and the experience of reality through sound and vibration, forming a rhythmic dialogue that transcends conventional language and comprehension.

Readers are invited to ponder the transformation of symbols, thoughts, and covert concepts into colors and shapes, with mirrors and chess games serving as recurring motifs. The work provides a profound analysis of linguistic and philosophical processes, highlighting the delicate relationships between consciousness, perception, and language.

"Metabor" is a deep and challenging read that appeals to those interested in the intersections of philosophy, technology, and abstract thought, offering a unique perspective on the hidden dimensions of reality and our understanding of it.


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Autorenporträt
KIWA is a multichannel meta-artist. He actively explores and blends different media, from conceptual objects to total audiovisual environments: all together functioning as a hypertextual research of meaning-making and cultural codes, collective and personal myths.

He blends the meaning of authorship on different levels. Interested in quote, pastiche, games of language and identity, (post)psychoanalysis and schizoanalysis were self-explanatory as literary methods. The book of KIWA is a labyrinth, or rather a labyrinth in a labyrinth.