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Mexican Canto Nuevo is a groundbreaking academic exploration of the Canto Nuevo movement, a musical and cultural phenomenon that left an indelible mark on Mexican society from the 1960s through the late 1980s. Palomares-Salas guides readers through the movement's origins, peak, and eventual decline and sheds light on Canto Nuevo's multifaceted aspects, from its inception during the 1968 student movement to its ideological foundations in Marxist-humanist principles, placing Canto Nuevo firmly within the broader Latin American Nueva Canción context.

Produktbeschreibung
Mexican Canto Nuevo is a groundbreaking academic exploration of the Canto Nuevo movement, a musical and cultural phenomenon that left an indelible mark on Mexican society from the 1960s through the late 1980s. Palomares-Salas guides readers through the movement's origins, peak, and eventual decline and sheds light on Canto Nuevo's multifaceted aspects, from its inception during the 1968 student movement to its ideological foundations in Marxist-humanist principles, placing Canto Nuevo firmly within the broader Latin American Nueva Canción context.

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Autorenporträt
Claudio Palomares-Salas is Associate Professor of Latin American Studies at Queen's University. He holds a Ph.D. in Hispanic Studies from the University of Toronto. He is the author of The Spatiality of the Hispanic Avant-Garde, the novel El lugar más triste para soñar (The Saddest Place to Dream), and of numerous academic articles. His areas of specialization are the Hispanic avant-garde movements (1910-1927), twentieth-century Spanish and Latin American literature and music, and the Nueva Canción movements in Latin America (1960-1990), particularly Mexico. An active drummer, he has toured and recorded with various artists in Mexico, Canada and abroad.