Michael Chekhov and Sanford Meisner (eBook, ePUB)

Collisions and Convergence in Actor Training
Redaktion: Deshpande Hutchinson, Anjalee

• Format: ePub

Produktbeschreibung

Michael Chekhov and Sanford Meisner: Collisions and Convergence in Actor Training offers a comprehensive analysis of the Sanford Meisner Acting Technique in comparison to the Michael Chekhov Acting Technique.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 274
• Erscheinungstermin: 11. Juni 2020
• Englisch
• ISBN-13: 9781000077520
• Artikelnr.: 59602002

Autorenporträt

Anjalee Deshpande Hutchinson is Professor and Chair of the Department of Theatre and Dance at Bucknell University in Lewisburg, Pennsylvania. She received her BA in Theatre from Kalamazoo College and her MFA in Directing from Northwestern University. In addition to directing, Anjalee's scholarship includes devised theatre and acting technique. Anjalee is certified in the Michael Chekhov Technique from the National Michael Chekhov Association, and the Sanford Meisner Technique from the True Acting Institute, and has also trained in Moment Work with the Tectonic Theatre Project.

Inhaltsangabe

Introduction
Anjalee Deshpande Hutchinson
Part I: The Masters
1 The Meisner Approach: "Be simple and rediscover the world"- Dostoyevsky
Susan Coromel
2 The Relevance of The Meisner Technique in Today's Actor Training
Tom Prior
3 Michael Chekhov's Inspiration for Actors
Dawn Arnold
Part II: Expeditions in Deep Training
4. Meisner in the Undergraduate Setting
Greg Ramos
5 Teaching the Michael Chekhov Technique in an Undergraduate Program: The
Problem and the Arrival
Mark Monday
6 Reality vs Pretend: How to Surmount Collisions In Search of Truth
Lisa Dalton
7 We Are Not Historians: A Manifesto for Teachers
Kimon Fioretos
Part III: Methods in Convergence
8 The Evolution of a Studio
Liz Shipman
9 How the Michael Chekhov Technique Influences and Supports the Elements of
the Sanford Meisner Approach
Susan Coromel
10 Meisner in the Classroom, Chekhov in Rehearsal: Pairing Complementary
Methods in Smaller Liberal Arts Programs
Anjalee Deshpande Hutchinson
11 Studio Work with Meisner as Foundation and Chekhov as Advanced Study
Robb Maus
12 Activating Meisner and Chekhov in the Secondary Acting Classroom
Eric Young
13 Sculpting the Energetic Action: Taking us "Beyond the Verb"
Alexis Black
14 Sensations in Place of Emotional Preparation for the Students that say
"I Can't" and Mean it!
Kimon Fioretos
15 Re-discovering the Joy
Wil Kilroy
Part IV: Techniques In Practice
16 Warming up to Repetition and Adding Physicality with Chekhov's
Psychological Gesture
James Savage
17 Listening and Responding with the Body: How Chekhov Technique Can
Enhance Meisner's Repetition Exercise
David Haugen
18 Finding an Emotional Connection through PGs, POV's and the Ghost
Exercise
James Savage
19 A Psychophysical Path to Moment-to-Moment: The Gift of a Lifetime:
Chekhov's Repetition Exercises 12-13
Lisa Loving Dalton
20 Bringing Meisner and Chekhov Techniques into the Rehearsal Room, Sort
of...
David Haugen
Part V: Continued Collisions and Strategies for The Future
21 Conclusion: The Case for Non-Erasure in Actor Training
Anjalee Deshpande Hutchinson