The principal figure is, of course, John Milton, seen first as a boy of ten, sober and confident, even "then a poet." He is seen also as a traveler to the continent in 1638-1639, when he filled his mind with scenes and places that he would use in Paradise Lost: the sulphuric Phlegraean Fields outside Naples; Galileo, the "Tuscan artist" with optic glass. Milton the revolutionary is described, the libertarian pamphleteer whose passionate cry that every man had the right "to know, to utter, to argue freely" was realized around the campfires of the New Model Army. Throughout, Milton is depicted also as the poet aspiring to "leave something so written to aftertimes, as they should not willingly let it die"-his creative genius coming forth at last in Paradise Lost and his final major work, Samson Agonistes.
Originally published in 1971.
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