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Josephine Tey's 'Miss Pym Disposes' is a classic mystery novel that delves into the complexities of human behavior and the consequences of one's actions. The story follows retired schoolteacher Miss Lucy Pym as she becomes entangled in a murder mystery at a prestigious physical training college. Tey's writing style is both intelligent and thought-provoking, with meticulous attention to detail and a deep understanding of human psychology. Set in 1940s England, the novel captures the societal norms and expectations of the time while offering a unique perspective on crime and morality. Tey's plot…mehr

Produktbeschreibung
Josephine Tey's 'Miss Pym Disposes' is a classic mystery novel that delves into the complexities of human behavior and the consequences of one's actions. The story follows retired schoolteacher Miss Lucy Pym as she becomes entangled in a murder mystery at a prestigious physical training college. Tey's writing style is both intelligent and thought-provoking, with meticulous attention to detail and a deep understanding of human psychology. Set in 1940s England, the novel captures the societal norms and expectations of the time while offering a unique perspective on crime and morality. Tey's plot twists and character development keep readers on the edge of their seats until the very end, making 'Miss Pym Disposes' a must-read for fans of classic detective fiction. The novel is a testament to Tey's masterful storytelling and her ability to craft compelling narratives that stand the test of time.

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Autorenporträt
Josephine Tey is one of the best-known and best-loved of all crime writers. She began to write full-time after the successful publication of her first novel, The Man in the Queue (1929), which introduced Inspector Grant of Scotland Yard. In 1937 she returned to crime writing with A Shilling for Candles, but it wasn't until after the Second World War that the majority of her crime novels were published. Josephine Tey died in 1952, leaving her entire estate to the National Trust.
Rezensionen
Tey's style and her knack for creating bizarre characters are among the best in her field New Yorker