Modeling Musical Analysis (eBook, ePUB)

Redaktion: Loeffert, Kim; Peterson, John

• Format: ePub

Produktbeschreibung

Intended for use in college-level music classes, Modeling Musical Analysis is a volume of essays by minoritized scholars that model analytical essay writing for undergraduate students. The collection marks an important step in making the field of music theory, the classroom, and the study of music in general more inclusive by amplifying the representation of, and substantive contributions made by, scholars of color. The essays represent current music analytical trends in a substantial breadth of genres, including ballet, chamber music, film music, jazz, musical theater, opera, oratorio, orchestral music, popular music, video game music, and vocal music.

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Produktdetails

• Verlag: Oxford University Press
• Seitenzahl: 360
• Erscheinungstermin: 9. Januar 2025
• Englisch
• ISBN-13: 9780197678497
• Artikelnr.: 72679666

Autorenporträt

Kimberly Goddard Loeffert is Assistant Professor of Music Theory at Virginia Tech. John Peterson is Associate Professor of Music Theory at James Madison University.

Inhaltsangabe

* Tala as Phrase Meter
* Somangshu Mukherji
* Prolongation in Turkish Classical Music
* Adem Merter Birson
* The Role of A-flat in Beethoven's Funeral March from the Eroica
Symphony
* Jan Miyake
* Locating the "Sonata" in Fanny Hensel's Sonata o Fantasia
* Catrina Kim
* "A Blueprint for Dancers:" the Fiery and Unforgettable Measures of
Rosendo Mendizábal's "El Entrerriano"
* John Turci-Escobar
* Comparing the Choreomusical Styles of Marius Petipa and George
Balanchine in the Berceuse of Harlequinade
* Kara Yoo Leaman
* Analyzing Verismo Opera: "Vissi d'arte" ("I lived on art") from
Puccini's Tosca, Act 2
* Ji Yeon Lee
* Yamada Kosaku's Inno Meiji: A Portrait of Modern Optimism
* Liam Hynes-Tawa
* A Rhetorical Strategy to Subvert Artistic Suppression: A "March" That
Is Not a 'March' in R. Nathaniel Dett's The Ordering of Moses (1937)
* Jeannie Ma. Guerrero
* Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai's Oblivion
* Joseph Chi-Sing Siu
* Reminiscences of the Past and Hybrid Traditions in Yoshinao Nakada's
Art Songs
* Tomoko Deguchi
* Malambo and Motive in The Second Movement of Ginastera's Sonata para
piano
* David Castro
* 'That Word in My Bible': Listening Critically to the Louvin Brothers'
'Broad Minded'
* Sumanth Gopinath
* Writing with Cathy Berberian's Performance of Sequenza III
* Vivian Luong
* The Restorative Obsession of Shostakovich's Violin Concerto No. 2
* Táhirih Motazedian
* Curious Words and Exaggerated Singing-Humor and Satire in Musicals
* Wing Lau
* Jesus Woodlaají Sin: Translating Singable Navajo Hymns
* Renata Yazzie
* Motivic development and transformation in Toru Takemitsu's Itinerant
(1989)
* Robert Hasegawa
* Loco Vocable: Semantic Satiation in "Aria Agraria" by Les Luthiers
* Fernando Benadon
* Sonic Imagery of Chen Yi's Bright Moonlight
* Nancy Yunhwa Rao
* The Duality of Drums: Exploring Timpani's Melodic and Percussive
Potential in Rodis's Colossus
* Jose M. Garza, Jr.
* The Musical Language of Freedom and Oppression in Richard Danielpour
and Toni Morrison's Margaret Garner
* Andrew Pau
* Celebrating the Underdog: Rhythm and Meter in Pink's "Raise Your
Glass"
* John Peterson
* Storytelling and Meter in clipping.'s "story 2"
* Hanisha Kulothparan
* The Spiritual Pastoral in The Kansas Rapture for Saxophone Quartet by
(Farhad) Forrest Pierce
* Kimberly Goddard Loeffert
* Melodic Refusal and Racialized Anxiety in Mitski's "Your Best
American Girl"
* Toru Momii
* Harmonizing Uncertainty: Ambiguous Tonicizations in The Music of
Summer Walker
* Richard Desinord
* Texture and Timing in the Score-Stop
* Gerardo Lopez