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This book offers material for the study of issues central to the development of modern art, its theory, and criticism. It will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.
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- Größe: 43.72MB
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This book offers material for the study of issues central to the development of modern art, its theory, and criticism. It will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 4. Mai 2018
- Englisch
- ISBN-13: 9780429967450
- Artikelnr.: 56888932
- Verlag: Taylor & Francis
- Seitenzahl: 340
- Erscheinungstermin: 4. Mai 2018
- Englisch
- ISBN-13: 9780429967450
- Artikelnr.: 56888932
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Francis Frascina
Introduction Introductory Texts
Modernist Painting Clement Greenberg.
Historical Interpretation Sir Karl Popper. Modern Life, Modernit And Modernism
The Salon of 1846: On the Heroism of Modern Life Charles Baudelaire.
The Salon of 1859: The Modern Public and Photography C. Baudelaire.
Edouard Manet Emile Zola.
The Impressionists and Edouard Manet Stphane Mallarm.
LExposition des Indpendants in 1880 J. K. Huysmans.
From Gauguin and Van Gogh to Classicism Maurice Denis.
Czanne M. Denis. The Development Of Modernism
The Aesthetic Hypothesis Clive Bell.
The Debt to Czanne C. Bell.
An Essay in Aesthetics Roger Fry.
The French Post-Impressionists R. Fry.
American-Type Painting C. Greenberg.
Collage C. Greenberg.
Master Lger C. Greenberg.
Three American Painters Michael Fried.
What is Revolutionary Art? Herbert Read.
Barnett Newman Donald Judd. Abstraction
From the Easel to the Machine Nikolai Tarabukin.
On Non-Objective Painting Bertolt Brecht.
The Beauty of Non-Objectivity Hilla Rebay.
Illusion and Visual Deadlock Ernst Gombrich. Expressionism
Abstraction and Empathy Wilhelm Worringer.
Expressionism Hermann Bahr.
Abstraction and Mysticism Sheldon Cheney.
Expression and Communication E. Gombrich.
Art and Inquiry Nelson Goodman. Art And Society
The Development of Modern Art Julius Meier-Graefe.
Literature and Revolution Leon Trotsky.
The Author as Producer Walter Benjamin.
The Work of Art in the Age of Mechanical Reproduction W. Benjamin.
Poetic Evidence Paul Eluard.
Popularity and Realism B. Brecht.
The Sociological Approach: The Concept of Ideology in the History of Art Arnold Hauser.
Lger John Berger.
Art History and Class Struggle Nicos Hadjinicolaou.
On the Social History of Art T. J. Clark.
Preliminaries to a Possible Treatment of Olympia in 1865 T. J. Clark.
The Laundress in Late Nineteenth-century French Culture Eunice Lipton.
Les Donnes Bretonnantes: La Prairie de la Reprsentation
Modernist Painting Clement Greenberg.
Historical Interpretation Sir Karl Popper. Modern Life, Modernit And Modernism
The Salon of 1846: On the Heroism of Modern Life Charles Baudelaire.
The Salon of 1859: The Modern Public and Photography C. Baudelaire.
Edouard Manet Emile Zola.
The Impressionists and Edouard Manet Stphane Mallarm.
LExposition des Indpendants in 1880 J. K. Huysmans.
From Gauguin and Van Gogh to Classicism Maurice Denis.
Czanne M. Denis. The Development Of Modernism
The Aesthetic Hypothesis Clive Bell.
The Debt to Czanne C. Bell.
An Essay in Aesthetics Roger Fry.
The French Post-Impressionists R. Fry.
American-Type Painting C. Greenberg.
Collage C. Greenberg.
Master Lger C. Greenberg.
Three American Painters Michael Fried.
What is Revolutionary Art? Herbert Read.
Barnett Newman Donald Judd. Abstraction
From the Easel to the Machine Nikolai Tarabukin.
On Non-Objective Painting Bertolt Brecht.
The Beauty of Non-Objectivity Hilla Rebay.
Illusion and Visual Deadlock Ernst Gombrich. Expressionism
Abstraction and Empathy Wilhelm Worringer.
Expressionism Hermann Bahr.
Abstraction and Mysticism Sheldon Cheney.
Expression and Communication E. Gombrich.
Art and Inquiry Nelson Goodman. Art And Society
The Development of Modern Art Julius Meier-Graefe.
Literature and Revolution Leon Trotsky.
The Author as Producer Walter Benjamin.
The Work of Art in the Age of Mechanical Reproduction W. Benjamin.
Poetic Evidence Paul Eluard.
Popularity and Realism B. Brecht.
The Sociological Approach: The Concept of Ideology in the History of Art Arnold Hauser.
Lger John Berger.
Art History and Class Struggle Nicos Hadjinicolaou.
On the Social History of Art T. J. Clark.
Preliminaries to a Possible Treatment of Olympia in 1865 T. J. Clark.
The Laundress in Late Nineteenth-century French Culture Eunice Lipton.
Les Donnes Bretonnantes: La Prairie de la Reprsentation
Introduction Introductory Texts
Modernist Painting Clement Greenberg.
Historical Interpretation Sir Karl Popper. Modern Life, Modernit And Modernism
The Salon of 1846: On the Heroism of Modern Life Charles Baudelaire.
The Salon of 1859: The Modern Public and Photography C. Baudelaire.
Edouard Manet Emile Zola.
The Impressionists and Edouard Manet Stphane Mallarm.
LExposition des Indpendants in 1880 J. K. Huysmans.
From Gauguin and Van Gogh to Classicism Maurice Denis.
Czanne M. Denis. The Development Of Modernism
The Aesthetic Hypothesis Clive Bell.
The Debt to Czanne C. Bell.
An Essay in Aesthetics Roger Fry.
The French Post-Impressionists R. Fry.
American-Type Painting C. Greenberg.
Collage C. Greenberg.
Master Lger C. Greenberg.
Three American Painters Michael Fried.
What is Revolutionary Art? Herbert Read.
Barnett Newman Donald Judd. Abstraction
From the Easel to the Machine Nikolai Tarabukin.
On Non-Objective Painting Bertolt Brecht.
The Beauty of Non-Objectivity Hilla Rebay.
Illusion and Visual Deadlock Ernst Gombrich. Expressionism
Abstraction and Empathy Wilhelm Worringer.
Expressionism Hermann Bahr.
Abstraction and Mysticism Sheldon Cheney.
Expression and Communication E. Gombrich.
Art and Inquiry Nelson Goodman. Art And Society
The Development of Modern Art Julius Meier-Graefe.
Literature and Revolution Leon Trotsky.
The Author as Producer Walter Benjamin.
The Work of Art in the Age of Mechanical Reproduction W. Benjamin.
Poetic Evidence Paul Eluard.
Popularity and Realism B. Brecht.
The Sociological Approach: The Concept of Ideology in the History of Art Arnold Hauser.
Lger John Berger.
Art History and Class Struggle Nicos Hadjinicolaou.
On the Social History of Art T. J. Clark.
Preliminaries to a Possible Treatment of Olympia in 1865 T. J. Clark.
The Laundress in Late Nineteenth-century French Culture Eunice Lipton.
Les Donnes Bretonnantes: La Prairie de la Reprsentation
Modernist Painting Clement Greenberg.
Historical Interpretation Sir Karl Popper. Modern Life, Modernit And Modernism
The Salon of 1846: On the Heroism of Modern Life Charles Baudelaire.
The Salon of 1859: The Modern Public and Photography C. Baudelaire.
Edouard Manet Emile Zola.
The Impressionists and Edouard Manet Stphane Mallarm.
LExposition des Indpendants in 1880 J. K. Huysmans.
From Gauguin and Van Gogh to Classicism Maurice Denis.
Czanne M. Denis. The Development Of Modernism
The Aesthetic Hypothesis Clive Bell.
The Debt to Czanne C. Bell.
An Essay in Aesthetics Roger Fry.
The French Post-Impressionists R. Fry.
American-Type Painting C. Greenberg.
Collage C. Greenberg.
Master Lger C. Greenberg.
Three American Painters Michael Fried.
What is Revolutionary Art? Herbert Read.
Barnett Newman Donald Judd. Abstraction
From the Easel to the Machine Nikolai Tarabukin.
On Non-Objective Painting Bertolt Brecht.
The Beauty of Non-Objectivity Hilla Rebay.
Illusion and Visual Deadlock Ernst Gombrich. Expressionism
Abstraction and Empathy Wilhelm Worringer.
Expressionism Hermann Bahr.
Abstraction and Mysticism Sheldon Cheney.
Expression and Communication E. Gombrich.
Art and Inquiry Nelson Goodman. Art And Society
The Development of Modern Art Julius Meier-Graefe.
Literature and Revolution Leon Trotsky.
The Author as Producer Walter Benjamin.
The Work of Art in the Age of Mechanical Reproduction W. Benjamin.
Poetic Evidence Paul Eluard.
Popularity and Realism B. Brecht.
The Sociological Approach: The Concept of Ideology in the History of Art Arnold Hauser.
Lger John Berger.
Art History and Class Struggle Nicos Hadjinicolaou.
On the Social History of Art T. J. Clark.
Preliminaries to a Possible Treatment of Olympia in 1865 T. J. Clark.
The Laundress in Late Nineteenth-century French Culture Eunice Lipton.
Les Donnes Bretonnantes: La Prairie de la Reprsentation