Examining work from Ford and Conrad's pre-war impressionism through Rhys's fiction of the late 1930s, the author shows how modernist innovation engages with transformations in early twentieth-century capitalism and tracks the ways in which modernist fiction reconfigures capitalist mythologies along the fault lines of their internal contradictions.
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'This smart, sophisticated, enlightening study uses the lenses of new economic criticism to examine a diverse array of texts and to reveal how modernist literature discovers systems of irrational impulses at the heart of economic behavior and theory. The book makes a welcome and original contribution to modernist criticism.' - Mark Osteen, Professor of English, Loyola University Maryland, USA