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Sarah Cole examines the rich literary and cultural history of masculine intimacy in the twentieth century. Cole approaches this complex and neglected topic from many perspectives - as a reflection of the exceptional social power wielded by the institutions that housed and structured male bonds; as a matter of closeted and thwarted homoerotics; as part of the story of the First World War. Cole shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the over-determined…mehr
Sarah Cole examines the rich literary and cultural history of masculine intimacy in the twentieth century. Cole approaches this complex and neglected topic from many perspectives - as a reflection of the exceptional social power wielded by the institutions that housed and structured male bonds; as a matter of closeted and thwarted homoerotics; as part of the story of the First World War. Cole shows that the terrain of masculine fellowship provides an important context for understanding key literary features of the modernist period. She foregrounds such crucial themes as the over-determined relations between imperial wanderers in Conrad's tales, the broken friendships that permeate Forster's fictions, Lawrence's desperate urge to make culture out of blood brotherhood and the intense bereavement of the war poet. Cole argues that these dramas of compelling and often tortured male friendship have helped to define a particular spirit and voice within the literary canon.
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Autorenporträt
Sarah Cole has been a secondary English teacher for 15 years. Her first novel Virozone, released in 2021, has sold over 500 copies and continues to engage young adult readers. Sarah writes a strong female lead and hopes to inspire young adult readers to take action, be resilient, brave and strong willed. Her lead character Lawlie Pearce certainly takes no nonsense from anyone!
Inhaltsangabe
Acknowledgements Introduction: 1. Argument: the organization of intimacy 2. Definitions and choices: modernism, modernity, literary authority 3. Structure: four sites of masculine bonding Part I. Victorian Dreams, Modern Realities: Forster's Classical Imagination: 4. Hellenism and the beautiful body: Carpenter, Pater, Symonds 5. The fall of Hellenism: Forster's modern disaffection 6. A Passage to India and the failure of institutions Part II. Conradian Alienation and Imperial Intimacy: 7. Friendship's dramatic demise: Heart of Darkness and Under Western Eyes 8. From system to solipsism: Lord Jim 9. Homoerotic heroics, domestic discipline: Conrad and Ford's Romance Part III. 'My Killed Friends are with me where I go': Friendship and Comradeship at War: 10. War discourse: friendship and comradeship 11. The major war poets: intimacy, authority, alienation 12. Post-war articulations: lost friends and the lost generation Part IV. 'The Violence of the Nightmare': D. H. Lawrence and the Aftermath of War: 13. Bodies of men: the landscape of post-war England, 14. Desire and devastation: male bonds in D. H. Lawrence Notes Index.
Acknowledgements Introduction: 1. Argument: the organization of intimacy 2. Definitions and choices: modernism, modernity, literary authority 3. Structure: four sites of masculine bonding Part I. Victorian Dreams, Modern Realities: Forster's Classical Imagination: 4. Hellenism and the beautiful body: Carpenter, Pater, Symonds 5. The fall of Hellenism: Forster's modern disaffection 6. A Passage to India and the failure of institutions Part II. Conradian Alienation and Imperial Intimacy: 7. Friendship's dramatic demise: Heart of Darkness and Under Western Eyes 8. From system to solipsism: Lord Jim 9. Homoerotic heroics, domestic discipline: Conrad and Ford's Romance Part III. 'My Killed Friends are with me where I go': Friendship and Comradeship at War: 10. War discourse: friendship and comradeship 11. The major war poets: intimacy, authority, alienation 12. Post-war articulations: lost friends and the lost generation Part IV. 'The Violence of the Nightmare': D. H. Lawrence and the Aftermath of War: 13. Bodies of men: the landscape of post-war England, 14. Desire and devastation: male bonds in D. H. Lawrence Notes Index.
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