Will Higbee, Flo Martin, Jamal Bahmad

Moroccan Cinema Uncut (eBook, ePUB)

Decentred Voices, Transnational Perspectives

• Format: ePub

Produktbeschreibung

Moroccan film production has increased rapidly since the late 2000s, and Morocco is a thriving service production hub for international film and television. Taking a transnational approach to Moroccan cinema, this book examines diversity in its production models, its barriers to international distribution and success, its key markets and audiences, as well as the consequences of digital disruption upon it.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 18. August 2020
• Englisch
• ISBN-13: 9781474477963
• Artikelnr.: 72422591

Autorenporträt

Will Higbee is a Professor of Film Studies at the University of Exeter. He has published widely on cinemas of the Maghreb and their diasporas, as well as questions of national and transnational cinema. He is the author of Post-Beur Cinema (2013) and co-editor of De-Westernizing Film Studies (2012). Florence Martin is the Van Meter Professor of French Transnational Studies at Goucher College (US). She has published internationally on Maghrebi cinema and women's cinema. Her international publications on Maghrebi and women's cinema include Screens and Veils: Maghrebi Women's Cinema (IUP, 2011) and her co-edition of Les Cinémas du Maghreb et leurs publics (Africultures, 2013). Dr Jamal Bahmad is Lecturer in the English Department at Mohammed V University at Agdal, Morocco.

Inhaltsangabe

Table of Contents
Acknowledgements
Introduction
Moroccan Cinema: A Story of Transnational Adaptation
Part I - Production From Above: Formal Networks
Chapter 1: Established Sites of Production At Home
1.1: Rabat and The CCM: The Institutional Centre
1.2: Ouarzazate: The Cinematic City
1.3: Tangier: The Artisanal Hub
1.4: Casablanca: The Industrial and Media Hub
Chapter 2: Transnational Crossings
2.1: The Politics of International Co-Production
2.2: The Rooted Transnationalism of Diasporic Filmmakers
2.3: Non-Western Production Networks
2.4: Co-Production Networks Between North Africa and Sub-Saharan Africa
Part II - Production From Below: Emerging Sites
Chapter 3: Alternative and Emerging Networks
3.1: Film Schools, Education and Training
3.2: Alternative Training Networks: Sahara Lab
3.3: Playing Around the System: Hicham Laari
3.4: Guerilla Filmmaking and Political Activism: Nadir Bouhmouch
Chapter 4: Diverse Voices
4.1: Amazigh Cinema: The Global Flow of Local Images
4.2: Transnational Contestations: Tala Hadid and Jawad Rhalib
4.3: Women's Cinema, Take One: Negotiating With the Establishment
4.4: Women's Cinema, Take Two: Circumventing the Establishment
Part III - Distribution Networks: Festivals Audiences and Markets
Chapter 5: Distribution and Exhibition Networks In Morocco
5.1: Festivals in the Kingdom
5.2: Piracy and the Crisis of Moroccan Distribution
5.3: Exhibition - The Trouble with Movie Theatres
5.4: Pan-Arab Transnational Exhibition: The Cinémathèque de Tanger
Chapter 6: The Transnational Moroccan Festival Network
6.1: The Transnational Festival Network
6.2: Europe: A-List Festivals, Markets and Film Funds
6.3: International Festivals Beyond Europe: the Gulf and Africa
6.4: Niche Festivals in Europe and Northern America
Chapter 7: Sales, Distribution and Digital Disruption - the Unrealised
Transnational Reach of Moroccan Cinema?
7.1: Sales and Distribution Outside of Morocco
7.2: Selling Moroccan Cinema to a European Audience: Much Loved
7.3 Brave New World Or The Same Old Problems? Moroccan Cinema, Online
Distribution and Digital Disruption
Conclusion
Transnational Moroccan Cinema: Of Bumblebees And Butterflies
References
Bibliography
Filmography.