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Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction.…mehr

Produktbeschreibung
Classical literature is full of humans, gods, and animals in impressive motion. The specific features of this motion are expressive; it is closely intertwined with decisions, emotions, and character. However, although the importance of space has recently been realized with the advent of the 'spatial turn' in the humanities, motion has yet to receive such attention, for all its prominence in literature and its interest to ancient philosophy. This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as case-studies: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On Nature, and Seneca's Natural Questions. The two narrative poems diverge rewardingly, as do the philosophical poetry and prose. Important in the philosophical poem and the prose history are metaphorical motion and the absence of motion; the dramas scrutinize motion verbally and visually. Each study first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period. This new and stimulating approach opens up extensive areas for interpretation; it can also be productively applied to the literature of successive eras.

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Autorenporträt
Professor G. O. Hutchinson studied at Balliol College, Oxford, as an undergraduate, then took up a position at Christ Church as a Research Lecturer. In 1984 he became Fellow and Tutor in Classics at Exeter College, Oxford, and in 1998 Professor of Greek and Latin Languages and Literature, before being appointed to the Regius Chair of Greek in 2015 and returning to Christ Church. Motion in Classical Literature is his tenth single-authored book; the others, mostly published by OUP, are commentaries on Aeschylus' Seven against Thebes (1985), a selection of Greek lyric poetry (2001), and Propertius' Elegies, Book IV (CUP, 2006), and the monographs Hellenistic Poetry (1988), Latin Literature from Seneca to Juvenal: A Critical Study (1993), Cicero's Correspondence: A Literary Study (1998), Talking Books: Readings in Hellenistic and Roman Books of Poetry (2008), Greek to Latin: Frameworks and Contexts for Intertextuality (2013), and Plutarch's Rhythmic Prose (2018).