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Mourning, Modernism, Postmodernism traces the emergence of a fundamentally new way of writing about individual and collective mourning, demonstrating how a refusal of consolation and closure succeeds in promoting a progressive cultural politics crucial for reimaging gender, racial, and sexual subjects.
Mourning, Modernism, Postmodernism traces the emergence of a fundamentally new way of writing about individual and collective mourning, demonstrating how a refusal of consolation and closure succeeds in promoting a progressive cultural politics crucial for reimaging gender, racial, and sexual subjects.
TAMMY CLEWELL is Associate Professor of English at Kent State University, USA. Her work has appeared in Modern Fiction Studies, College Literature, Journal of the American Psychoanalytic Association, and Literature/Film Quarterly.
Inhaltsangabe
Acknowledgments Introduction: Rethinking Loss; Remapping the Novel PART I: INCEPTIONS Woolf and the Great War Economies of Loss in Faulkner's Fiction PART II: LEGACIES Waugh's Nostalgia Revisited The Sexual Politics of Mourning Bibliography Index
Acknowledgments Introduction: Rethinking Loss; Remapping the Novel PART I: INCEPTIONS Woolf and the Great War Economies of Loss in Faulkner's Fiction PART II: LEGACIES Waugh's Nostalgia Revisited The Sexual Politics of Mourning Bibliography Index
Acknowledgments Introduction: Rethinking Loss; Remapping the Novel PART I: INCEPTIONS Woolf and the Great War Economies of Loss in Faulkner's Fiction PART II: LEGACIES Waugh's Nostalgia Revisited The Sexual Politics of Mourning Bibliography Index
Acknowledgments Introduction: Rethinking Loss; Remapping the Novel PART I: INCEPTIONS Woolf and the Great War Economies of Loss in Faulkner's Fiction PART II: LEGACIES Waugh's Nostalgia Revisited The Sexual Politics of Mourning Bibliography Index
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