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As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance,…mehr
As the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium-a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema.
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Autorenporträt
Martin P. Sheehan is Interim Chair of the Department of Foreign Languages and Associate Professor of German at Tennessee Tech University. His research on dramatic form, performance, and photography has been featured in Seminar, Archiv, Colloquia Germanica, Interdisciplinary Humanities, and Studia Neophilogica. A member of the digital humanities research collective at Vanderbilt University since 2016, his current projects explore visual culture, disability in German dramatic comedy, social network analysis.
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