There's a considerable interest in novels by African writers lately-Bulawayo, Adichie, Taiye Selasi, Teju Cole-to the point that Flavorwire and the Guardian are making lists of them, and this novel fits in nicely, while treading new territory. At the same time, it strikes a particularly Midwestern note, firmly in the tradition of Sinclair and Sandburg, chronicling the struggles of recent immigrants, the brutality of meatpacking work, and the friction that occurs as new groups assimilate, or fail to. The novel deals with race and racism in ways that are less familiar-African prejudice against A...
There's a considerable interest in novels by African writers lately-Bulawayo, Adichie, Taiye Selasi, Teju Cole-to the point that Flavorwire and the Guardian are making lists of them, and this novel fits in nicely, while treading new territory.
At the same time, it strikes a particularly Midwestern note, firmly in the tradition of Sinclair and Sandburg, chronicling the struggles of recent immigrants, the brutality of meatpacking work, and the friction that occurs as new groups assimilate, or fail to.
The novel deals with race and racism in ways that are less familiar-African prejudice against African Americans, the fraught politics of an interracial green card marriage, and the collision of the class one was raised in with the class one has immigrated to join.
Iromuanya's treatment of her characters is empathetic and clear-eyed-she captures just how their decisions have boxed them in, and how pride, expectations, and compromise shape each person's approximation of the American Dream.
The descriptive power of the novel, and its emotional heft, don't allow anyone to be dismissed, making for a powerful read with enough conflict and connections to current events to keep a book club busy.