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At half-past eleven o’clock–Mr. Billingham was a man of regular habits–he quitted the promenade, crossed the Place in front of the Casino, and selected a table outside the Café de Paris. He selected it simply because it happened to be the nearest empty one and without even a glance at his neighbours. It was nevertheless, without a doubt, by the direction of that mysterious influence called fate that he should have chosen that particular chair and ordered his champagne cocktail with that clear and pleasant directness of speech which caused the two people at the adjacent table to turn and focus their attention upon him.…mehr

Produktbeschreibung
At half-past eleven o’clock–Mr. Billingham was a man of regular habits–he quitted the promenade, crossed the Place in front of the Casino, and selected a table outside the Café de Paris. He selected it simply because it happened to be the nearest empty one and without even a glance at his neighbours. It was nevertheless, without a doubt, by the direction of that mysterious influence called fate that he should have chosen that particular chair and ordered his champagne cocktail with that clear and pleasant directness of speech which caused the two people at the adjacent table to turn and focus their attention upon him.
Autorenporträt
E. Phillips Oppenheim was born on October 22, 1866, in Tohhenham, London, England, to Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather retailer. After leaving school at age 17, he helped his father in his leather business and used to write in his extra time. His first novel, Expiration (1886), and subsequent thrillers piqued the interest of a wealthy New York businessman who eventually bought out the leather business and made Oppenheim a high-paid director.He is more focused on dedicating most of his time to writing. The novels, volumes of short stories, and plays that followed, numbering more than 150, were about humans with modern heroes, fearless spies, and stylish noblemen. The Long Arm of Mannister (1910), The Moving Finger (1911), and The Great Impersonation (1920) are three of his most famous essays.