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  • Format: ePub

I know. No country matters. Not in the kitchen.
Not on a Sunday. Not in England.
After six lonely weeks with nobody but her disabled boy for company, Rita Affleck, wealthy, beautiful and consumed by jealous love, welcomes home her husband Alfred. But, far from the passionate reunion she so craves, there is only torment as Alfred's possessive half-sister arrives, and he announces his great revelation.
I want things how they were ... My perfect poet ...
1945, one afternoon in London - on the floor,
every last undiluted drop of you.
Taking Ibsen's Little Eyolf as the
…mehr

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Produktbeschreibung
I know. No country matters. Not in the kitchen.
Not on a Sunday. Not in England.

After six lonely weeks with nobody but her disabled boy for company, Rita Affleck, wealthy, beautiful and consumed by jealous love, welcomes home her husband Alfred. But, far from the passionate reunion she so craves, there is only torment as Alfred's possessive half-sister arrives, and he announces his great revelation.

I want things how they were ... My perfect poet ...
1945, one afternoon in London - on the floor,
every last undiluted drop of you.

Taking Ibsen's Little Eyolf as the inspiration for a passionate and tragic tale of obsessive love, set in 1950s England, Samuel Adamson's Mrs Affleck opened at the National Theatre, London, in January 2009.


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Autorenporträt
Samuel Adamson's plays include: The Ballad of Hattie and James, Wife (both Kiln Theatre), Some Kind of Bliss (Trafalgar Studios), All About My Mother (from Almodóvar; Old Vic), Gabriel (Shakespeare's Globe), Fish and Company (Soho Theatre/National Youth Theatre), Southwark Fair (National Theatre), Drink, Dance, Laugh and Lie (Bush Theatre/Channel 4), Grace Note (Peter Hall Company/Old Vic), Clocks and Whistles (Bush Theatre), Frank & Ferdinand (National Theatre Connections); as well as contributions to the 24 Hour Plays (Old Vic), Hoard (New Vic, Stoke), A Chain Play (Almeida Theatre), Decade (Headlong Theatre) and Urban Scrawl (TheatreVoice/Theatre 503). Adaptations include: Jack Maggs, from Peter Carey's novel (State Theatre Company of South Australia); Ibsen's Pillars of the Community and Mrs Affleck, from Ibsen's Little Eyolf, (both at the National Theatre) A Doll's House (Southwark Playhouse); Chekhov's Uncle Vanya (Leeds Playhouse), The Cherry Orchard (Oxford Stage Company/Riverside Studios) and Three Sisters (OSC/Whitehall Theatre); Running Wild, based on the novel by Michael Morpurgo (Chichester Festival Theatre/Regent's Park Open Air Theatre); Schnitzler's Professor Bernhardi (Dumbfounded Theatre/Arcola Theatre/Radio 3); Bernhard Studlar's Vienna Dreaming (National Theatre Studio); a musical based on George MacDonald's The Light Princess, with Tori Amos (National Theatre); Ostrovsky's Larisa and the Merchants (Arcola Theatre). Radio includes: Tomorrow Week (Radio 3). Film includes Running for River (Directional Studios/Krug). He was Pearson Writer in Residence at the Bush in 1997-8.