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Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
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Autorenporträt
John Peponis is Professor of Architecture at the Georgia Institute of Technology, USA.
Inhaltsangabe
1. Museums as spatial configurations 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution 3. Movement, visibility, and the states of museum experience 4. Intelligibility and the structures of freedom 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations 7. Spacing collections. Space syntax and a museum yet to come 8. Navigating museum space: Mapping, syntax, and metaphor 9. Designing the syntax of museum space in the studio 10. Postscript: What more can museum architecture do?.
1. Museums as spatial configurations 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution 3. Movement, visibility, and the states of museum experience 4. Intelligibility and the structures of freedom 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations 7. Spacing collections. Space syntax and a museum yet to come 8. Navigating museum space: Mapping, syntax, and metaphor 9. Designing the syntax of museum space in the studio 10. Postscript: What more can museum architecture do?.
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