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Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue.
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Autorenporträt
John Peponis is Professor of Architecture at the Georgia Institute of Technology, USA.
Inhaltsangabe
1. Museums as spatial configurations; 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution; 3. Movement, visibility, and the states of museum experience; 4. Intelligibility and the structures of freedom; 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits; 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations; 7. Spacing collections. Space syntax and a museum yet to come; 8. Navigating museum space: Mapping, syntax, and metaphor; 9. Designing the syntax of museum space in the studio; 10. Postscript: What more can museum architecture do?.
1. Museums as spatial configurations; 2. The dialectic of the enlightenment museum: Edifice, edification, and dissolution; 3. Movement, visibility, and the states of museum experience; 4. Intelligibility and the structures of freedom; 5. A stimulating museum space: 'Glancing away' and engaging working memory in-between exhibits; 6. Narrative, dramaturgy and spatial choreography: movement and subjectivity in museum configurations; 7. Spacing collections. Space syntax and a museum yet to come; 8. Navigating museum space: Mapping, syntax, and metaphor; 9. Designing the syntax of museum space in the studio; 10. Postscript: What more can museum architecture do?.
Rezensionen
"Museum Configurations compiles a wealth of knowledge that was previously scattered across research outputs, including events such as the International Space Syntax Symposium, for example. This singular aspect represents a significant contribution to the fields of space syntax and museum studies. Peponis' edited volume may disappoint those expecting to learn specific concepts, units of measurement, and analytical procedures relating to space syntax, but it is precisely this theoretical and empirical approach that allows both specialized audiences and broader publics to engage with the rich discussions... Furthermore, the book includes recent developments and unexplored ideas, making it thought-provoking. Despite its broad disciplinary scope, the book is fundamentally a resource for scholars operating within the fields of space syntax, network analysis, and social studies... The balance between synthesizing existing knowledge and analysing current museological trends positions Museum Configurations as one of the most comprehensive publications on the socio-spatial study of museums buildings so far."