Museums and Mass Violence (eBook, ePUB)
Redaktion: Morrow, Paul; Kahn, Leora; Sodaro, Amy
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Museums and Mass Violence (eBook, ePUB)
Redaktion: Morrow, Paul; Kahn, Leora; Sodaro, Amy
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Museums and Mass Violence examines the varied ways in which museums around the world address - or fail to address - the problem of mass violence and severe human rights abuses.
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Museums and Mass Violence examines the varied ways in which museums around the world address - or fail to address - the problem of mass violence and severe human rights abuses.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Erscheinungstermin: 30. Dezember 2024
- Englisch
- ISBN-13: 9781040266267
- Artikelnr.: 72481146
- Verlag: Taylor & Francis
- Erscheinungstermin: 30. Dezember 2024
- Englisch
- ISBN-13: 9781040266267
- Artikelnr.: 72481146
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Dr. Paul Morrow is a visiting researchfFellow in the School of Philosophy at University College Dublin, Ireland. Dr. Amy Sodaro is professor of sociology at the Borough of Manhattan Community College/City University of New York, USA. Dr. Leora Kahn is the Executive Director of PROOF: Media for Social Justice,a non-profit organization that uses visual storytelling for social change.
List of figures; List of contributors; Foreword; Introduction; I.
Mobilizing Memory in the Wake of Atrocity - 1. Remembering and Prosecuting
Atrocities in Argentina: The ESMA Memory Museum; 2 Recovering Silenced
Pasts: Representation of Racial Violence in Montgomery's Legacy Museum and
Tulsa's Greenwood Rising; 3. Promise and Challenges of Digital
Memorialization in Museums; 4. Difficult Knowledge as Bequest: Implementing
the "Terrible Gift" in Exhibition at the Former Shingwauk Indian
Residential School; II. Designing Exhibitions of Difficult Knowledge -
5."You'd Have to See It to Believe It": Commodifying Trauma at a Museum
Near You; 6. Designing "Difficult" Exhibitions: Strategic Design for
Representing Testimonies of Rrauma; 7. Future Foundations: Designing Around
Sites of Trauma and Resilience; 8.Perils of Working with an Inconvenient
Truth: Exhibiting Rwandan Hutu Rescuers; III. Encountering Violence and
Nonviolence in Museum Collections - 9. "I remember her": Challenging and
Reclaiming Archival Spaces through the National Inquiry into Missing and
Murdered Indigenous Women and Girls, Karine Duhamel, National Inquiry into
Missing and Murdered Indigenous Women and Girls, Canada; 10. Silence or
Bravery: Swedish Museums Facing Contemporary Mass Atrocities in China and
Myanmar; 11. Picture This: Social Memory and the Tuol Sleng Photographs in
Museum, Commercial, and Virtual Spaces; 12. From War Materiel to Peace
Pathways: Changing Visions for Global Peace Museums; Afterword; Index.
Mobilizing Memory in the Wake of Atrocity - 1. Remembering and Prosecuting
Atrocities in Argentina: The ESMA Memory Museum; 2 Recovering Silenced
Pasts: Representation of Racial Violence in Montgomery's Legacy Museum and
Tulsa's Greenwood Rising; 3. Promise and Challenges of Digital
Memorialization in Museums; 4. Difficult Knowledge as Bequest: Implementing
the "Terrible Gift" in Exhibition at the Former Shingwauk Indian
Residential School; II. Designing Exhibitions of Difficult Knowledge -
5."You'd Have to See It to Believe It": Commodifying Trauma at a Museum
Near You; 6. Designing "Difficult" Exhibitions: Strategic Design for
Representing Testimonies of Rrauma; 7. Future Foundations: Designing Around
Sites of Trauma and Resilience; 8.Perils of Working with an Inconvenient
Truth: Exhibiting Rwandan Hutu Rescuers; III. Encountering Violence and
Nonviolence in Museum Collections - 9. "I remember her": Challenging and
Reclaiming Archival Spaces through the National Inquiry into Missing and
Murdered Indigenous Women and Girls, Karine Duhamel, National Inquiry into
Missing and Murdered Indigenous Women and Girls, Canada; 10. Silence or
Bravery: Swedish Museums Facing Contemporary Mass Atrocities in China and
Myanmar; 11. Picture This: Social Memory and the Tuol Sleng Photographs in
Museum, Commercial, and Virtual Spaces; 12. From War Materiel to Peace
Pathways: Changing Visions for Global Peace Museums; Afterword; Index.
List of figures; List of contributors; Foreword; Introduction; I.
Mobilizing Memory in the Wake of Atrocity - 1. Remembering and Prosecuting
Atrocities in Argentina: The ESMA Memory Museum; 2 Recovering Silenced
Pasts: Representation of Racial Violence in Montgomery's Legacy Museum and
Tulsa's Greenwood Rising; 3. Promise and Challenges of Digital
Memorialization in Museums; 4. Difficult Knowledge as Bequest: Implementing
the "Terrible Gift" in Exhibition at the Former Shingwauk Indian
Residential School; II. Designing Exhibitions of Difficult Knowledge -
5."You'd Have to See It to Believe It": Commodifying Trauma at a Museum
Near You; 6. Designing "Difficult" Exhibitions: Strategic Design for
Representing Testimonies of Rrauma; 7. Future Foundations: Designing Around
Sites of Trauma and Resilience; 8.Perils of Working with an Inconvenient
Truth: Exhibiting Rwandan Hutu Rescuers; III. Encountering Violence and
Nonviolence in Museum Collections - 9. "I remember her": Challenging and
Reclaiming Archival Spaces through the National Inquiry into Missing and
Murdered Indigenous Women and Girls, Karine Duhamel, National Inquiry into
Missing and Murdered Indigenous Women and Girls, Canada; 10. Silence or
Bravery: Swedish Museums Facing Contemporary Mass Atrocities in China and
Myanmar; 11. Picture This: Social Memory and the Tuol Sleng Photographs in
Museum, Commercial, and Virtual Spaces; 12. From War Materiel to Peace
Pathways: Changing Visions for Global Peace Museums; Afterword; Index.
Mobilizing Memory in the Wake of Atrocity - 1. Remembering and Prosecuting
Atrocities in Argentina: The ESMA Memory Museum; 2 Recovering Silenced
Pasts: Representation of Racial Violence in Montgomery's Legacy Museum and
Tulsa's Greenwood Rising; 3. Promise and Challenges of Digital
Memorialization in Museums; 4. Difficult Knowledge as Bequest: Implementing
the "Terrible Gift" in Exhibition at the Former Shingwauk Indian
Residential School; II. Designing Exhibitions of Difficult Knowledge -
5."You'd Have to See It to Believe It": Commodifying Trauma at a Museum
Near You; 6. Designing "Difficult" Exhibitions: Strategic Design for
Representing Testimonies of Rrauma; 7. Future Foundations: Designing Around
Sites of Trauma and Resilience; 8.Perils of Working with an Inconvenient
Truth: Exhibiting Rwandan Hutu Rescuers; III. Encountering Violence and
Nonviolence in Museum Collections - 9. "I remember her": Challenging and
Reclaiming Archival Spaces through the National Inquiry into Missing and
Murdered Indigenous Women and Girls, Karine Duhamel, National Inquiry into
Missing and Murdered Indigenous Women and Girls, Canada; 10. Silence or
Bravery: Swedish Museums Facing Contemporary Mass Atrocities in China and
Myanmar; 11. Picture This: Social Memory and the Tuol Sleng Photographs in
Museum, Commercial, and Virtual Spaces; 12. From War Materiel to Peace
Pathways: Changing Visions for Global Peace Museums; Afterword; Index.