Music and Performance Culture in Nineteenth-Century Britain (eBook, PDF)

Essays in Honour of Nicholas Temperley
Redaktion: Zon, Bennett

• Format: PDF

Produktbeschreibung

This is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. An introduction explores Nicholas Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 364
• Erscheinungstermin: 29. April 2016
• Englisch
• ISBN-13: 9781317092384
• Artikelnr.: 44991367

Autorenporträt

Bennett Zon is Professor of Music at Durham University and Co-Director of the International Network for Music Theology. Zon researches British culture of the long nineteenth-century, with particular interest in the relationship of music to evolutionary and theological thought. He has published The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007). Zon is General Editor of Nineteenth-Century Music Review and the 'Music in Nineteenth-Century Britain' book series.

Inhaltsangabe

Contents: Introduction
Bennett Zon; Part I Musical Cultures: Hidden agendas and the creation of community: the violin press in the late 19th century
Christina Bashford; Joining up the dots: cross-channel models in the shaping of London orchestral culture
1895-1914
Leanne Langley; Charles Garland Verrinder and music at the West London Synagogue
1859-1904
Susan Wollenberg; Music
morality
and rational amusement at the Victorian middle-class soirée
Derek B. Scott. Part II Societies: Trial by dining club: the instrumental music of Haydn
Clementi and Mozart at London's Anacreontic Society
Simon McVeigh; Performance in private: 'the Working Men's Society' and the promotion of progressive repertoire in 19th-century Britain
Michael Allis; American songs
pastoral nationalism
and the English Temperance cantata
Charles Edward McGuire. Part III National Music: The British vocal album and the struggle for national music
Peter Horton; Musicking Caractacus
Julian Rushton. Part IV Methods: The conductor at the organ
or how choral and orchestral music was directed in Georgian England
Peter Holman; Willian Cole's view of modern psalmody
Sally Drage; Samuel Wesley and the development of organ pedals in England
Philip Olleson; Recapitulation and the musical education of Victorian children: The Child's Pianoforte Book (1882) by H. Keatley Moore
Bennett Zon; Nicholas Temperley publications; Index.