Music and Sound in European Theatre (eBook, ePUB)
Practices, Performances, Perspectives
Redaktion: Roesner, David; Quick, Tamara Yasmin
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Music and Sound in European Theatre (eBook, ePUB)
Practices, Performances, Perspectives
Redaktion: Roesner, David; Quick, Tamara Yasmin
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The need for a research volume on European theatre music and sound is almost self-evident. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music.
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The need for a research volume on European theatre music and sound is almost self-evident. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040225370
- Artikelnr.: 72278378
- Verlag: Taylor & Francis eBooks
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040225370
- Artikelnr.: 72278378
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
David Roesner is Professor for Theatre and Music Theatre at the LMU Munich, Germany. Tamara Yasmin Quick works as a Munich-based dramaturg, lecturer, associate researcher, and project coordinator at various academic and artistic institutions.
Part 1 Setting the Scene 1. What Is Theatre Music? 2. More Connecting Than
Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2 Theatre Music and Musical Heritages in Transition 3. 'For Your Time
Draweth Fast, If Ye Will Saved Be': Ephemerality, Materiality, and the
Challenges of Archiving the Theatre Music of the Play Jedermann 4. Kilam as
Theatre Music in Kurdish Theatre in Turkey 5. Ways of Listening: Maqam
Music on the Contemporary Stage 6. Mixtape Dramaturgy: The Case of Jan
Klata Part 3 Theatre Music and/as Performance 7. Theatre Music as
Theatrical Scene: Reflections on a 'Disciplinary Dilemma' 8. Staging
(Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers 9.
More Than Unseen Sounds: Foley on Stage. Performing Live Sound Effects as
Musico-Theatrical Practice Part 4 Theatre Music and/as Experience 10.
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience 11.
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a
Literary Theatre 12. At the Interface of 'Theatre Music' and 'Music
Theatre': Monika Roscher's Music for Ulrich Rasche's Stagings in the Mirror
of Reviews 13. The Relationship between Storytelling and Sound Experience
in Theatre for Young Audiences Part 5 Theatre Music Between and Beyond
Genres 14. Performance Worlds? Reflections on Music Theatre Scenes Formerly
Called Diegetic 15. Inside Yellow Sound and the Vibrations of the
Audience's Soul 16. Narrating Exilic Stories Through Composed Atmospheres:
A Cognitive-Narratological Investigation of Music and Dance in Singulière
Odyssée Part 6 Theatre Music and Training 17. An Ethnographic Account of
Learning and Training Theatre Music in the Czech and Slovak Independent
Theatre Scene 18. The Shaping of "Good Sound" in Handbooks for Theatre
Sound Creation
Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2 Theatre Music and Musical Heritages in Transition 3. 'For Your Time
Draweth Fast, If Ye Will Saved Be': Ephemerality, Materiality, and the
Challenges of Archiving the Theatre Music of the Play Jedermann 4. Kilam as
Theatre Music in Kurdish Theatre in Turkey 5. Ways of Listening: Maqam
Music on the Contemporary Stage 6. Mixtape Dramaturgy: The Case of Jan
Klata Part 3 Theatre Music and/as Performance 7. Theatre Music as
Theatrical Scene: Reflections on a 'Disciplinary Dilemma' 8. Staging
(Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers 9.
More Than Unseen Sounds: Foley on Stage. Performing Live Sound Effects as
Musico-Theatrical Practice Part 4 Theatre Music and/as Experience 10.
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience 11.
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a
Literary Theatre 12. At the Interface of 'Theatre Music' and 'Music
Theatre': Monika Roscher's Music for Ulrich Rasche's Stagings in the Mirror
of Reviews 13. The Relationship between Storytelling and Sound Experience
in Theatre for Young Audiences Part 5 Theatre Music Between and Beyond
Genres 14. Performance Worlds? Reflections on Music Theatre Scenes Formerly
Called Diegetic 15. Inside Yellow Sound and the Vibrations of the
Audience's Soul 16. Narrating Exilic Stories Through Composed Atmospheres:
A Cognitive-Narratological Investigation of Music and Dance in Singulière
Odyssée Part 6 Theatre Music and Training 17. An Ethnographic Account of
Learning and Training Theatre Music in the Czech and Slovak Independent
Theatre Scene 18. The Shaping of "Good Sound" in Handbooks for Theatre
Sound Creation
Part 1 Setting the Scene 1. What Is Theatre Music? 2. More Connecting Than
Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2 Theatre Music and Musical Heritages in Transition 3. 'For Your Time
Draweth Fast, If Ye Will Saved Be': Ephemerality, Materiality, and the
Challenges of Archiving the Theatre Music of the Play Jedermann 4. Kilam as
Theatre Music in Kurdish Theatre in Turkey 5. Ways of Listening: Maqam
Music on the Contemporary Stage 6. Mixtape Dramaturgy: The Case of Jan
Klata Part 3 Theatre Music and/as Performance 7. Theatre Music as
Theatrical Scene: Reflections on a 'Disciplinary Dilemma' 8. Staging
(Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers 9.
More Than Unseen Sounds: Foley on Stage. Performing Live Sound Effects as
Musico-Theatrical Practice Part 4 Theatre Music and/as Experience 10.
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience 11.
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a
Literary Theatre 12. At the Interface of 'Theatre Music' and 'Music
Theatre': Monika Roscher's Music for Ulrich Rasche's Stagings in the Mirror
of Reviews 13. The Relationship between Storytelling and Sound Experience
in Theatre for Young Audiences Part 5 Theatre Music Between and Beyond
Genres 14. Performance Worlds? Reflections on Music Theatre Scenes Formerly
Called Diegetic 15. Inside Yellow Sound and the Vibrations of the
Audience's Soul 16. Narrating Exilic Stories Through Composed Atmospheres:
A Cognitive-Narratological Investigation of Music and Dance in Singulière
Odyssée Part 6 Theatre Music and Training 17. An Ethnographic Account of
Learning and Training Theatre Music in the Czech and Slovak Independent
Theatre Scene 18. The Shaping of "Good Sound" in Handbooks for Theatre
Sound Creation
Dividing Features? On Historical Precedents of Contemporary Theatre Music
Part 2 Theatre Music and Musical Heritages in Transition 3. 'For Your Time
Draweth Fast, If Ye Will Saved Be': Ephemerality, Materiality, and the
Challenges of Archiving the Theatre Music of the Play Jedermann 4. Kilam as
Theatre Music in Kurdish Theatre in Turkey 5. Ways of Listening: Maqam
Music on the Contemporary Stage 6. Mixtape Dramaturgy: The Case of Jan
Klata Part 3 Theatre Music and/as Performance 7. Theatre Music as
Theatrical Scene: Reflections on a 'Disciplinary Dilemma' 8. Staging
(Theatre) Music Reception: Voicing Unacoustics in Sophocles' Trackers 9.
More Than Unseen Sounds: Foley on Stage. Performing Live Sound Effects as
Musico-Theatrical Practice Part 4 Theatre Music and/as Experience 10.
Overwhelmed by Sound? Staged Effects of Sound and Music on the Audience 11.
The Tempest (2016) at the Royal Shakespeare Company: Music and Sound in a
Literary Theatre 12. At the Interface of 'Theatre Music' and 'Music
Theatre': Monika Roscher's Music for Ulrich Rasche's Stagings in the Mirror
of Reviews 13. The Relationship between Storytelling and Sound Experience
in Theatre for Young Audiences Part 5 Theatre Music Between and Beyond
Genres 14. Performance Worlds? Reflections on Music Theatre Scenes Formerly
Called Diegetic 15. Inside Yellow Sound and the Vibrations of the
Audience's Soul 16. Narrating Exilic Stories Through Composed Atmospheres:
A Cognitive-Narratological Investigation of Music and Dance in Singulière
Odyssée Part 6 Theatre Music and Training 17. An Ethnographic Account of
Learning and Training Theatre Music in the Czech and Slovak Independent
Theatre Scene 18. The Shaping of "Good Sound" in Handbooks for Theatre
Sound Creation