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Autorenporträt
Jamie L. Reuland is Assistant Professor of Music at Princeton University. Her work on the intellectual and social history of medieval music has been supported by the ACLS, Fulbright Foundation in Greece, Medieval Academy of America, and Gladys Krieble Delmas Foundation. Previously, Reuland was a Mellon Postdoctoral Fellow in the Humanities at Stanford University.
Inhaltsangabe
List of figures List of maps List of tables List of musical examples Acknowledgments List of manuscript sigla A note on dating List of abbreviations Introduction Part I. An Audible Empire: 1. Echoes of empire: the Laudes in medieval Venetian Crete 2. Unsilenced archives: icons, advocates, and the Akathistos hymn Part II. The Fictive City: 3. Singing effigies: an annunciation drama for the Festa delle Marie Part III. Relics and the Horizons of Musical Representation: 4. Narrative fragments: vespers for the apparition of Saint Mark's relics 5. History lessons: matins for the apparition of Saint Mark's relics 6. Sound documents: the midcentury chancery motet Epilogue Appendices Bibliography Index.
List of figures List of maps List of tables List of musical examples Acknowledgments List of manuscript sigla A note on dating List of abbreviations Introduction Part I. An Audible Empire: 1. Echoes of empire: the Laudes in medieval Venetian Crete 2. Unsilenced archives: icons, advocates, and the Akathistos hymn Part II. The Fictive City: 3. Singing effigies: an annunciation drama for the Festa delle Marie Part III. Relics and the Horizons of Musical Representation: 4. Narrative fragments: vespers for the apparition of Saint Mark's relics 5. History lessons: matins for the apparition of Saint Mark's relics 6. Sound documents: the midcentury chancery motet Epilogue Appendices Bibliography Index.
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