Music by Subscription (eBook, PDF)

Composers and their Networks in the British Music-Publishing Trade, 1676-1820
Redaktion: Fleming, Simon D. I.; Perkins, Martin

• Format: PDF

Produktbeschreibung

This book breaks new ground in the social and cultural history of eighteenth-century music in Britain through the study of a hitherto neglected resource, the lists of subscribers that were attached to a wide variety of publications, including musical works.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 270
• Erscheinungstermin: 30. Dezember 2021
• Englisch
• ISBN-13: 9781000519952
• Artikelnr.: 63104299

Autorenporträt

Simon D.I. Fleming holds a PhD in music from Durham University, and formerly taught in the Department of Music. He is currently Head of Music at the Queen Elizabeth Sixth Form College, Darlington, UK. Martin Perkins holds a PhD from the Royal Birmingham Conservatoire, Birmingham City Unveristy, where he lectures in music history, theory, and performance.

Inhaltsangabe

Chapter 1. Introduction. Simon D. I. Fleming and Matin Perkins
Section 1. The Production of Musical Works by Subscription
Chapter 2. Thomas Mace and the Publication by Subscription of Musick's
Monument (1676). Stephanie Carter
Chapter 3. Cecilia Maria Barthélemon's Three Sonatas, op 1. Michael Kassler
Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling
Chapter 5. Publishing Music by Subscription in Eighteenth-Century
Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I.
Fleming
Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar
Composer. Simon D. I. Fleming
Section 2. The Consumption of Music Published by Subscription
Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in
North-East England. Roz Southey
Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin
Perkins
Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon
D. I. Fleming and Martin Perkins
Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product.
Karen E. McAulay
Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The
British Experience in the Eighteenth Century. David Hunter
Chapter 12. Foreign Composers, the Subscription Market, and the Popularity
of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming