Music-Dance (eBook, PDF)

Sound and Motion in Contemporary Discourse
Redaktion: Veroli, Patrizia; Vinay, Gianfranco

• Format: PDF

Produktbeschreibung

Music-Dance explores the identity of the choreomusical work, its complex authorship, the cognitive processes involved in dance performance and its modes of reception. Scholars of dance and music analyse the ways in which the musical score changes its prescriptive status when becoming part of choreographic project, the encounter between sound and motion on stage and the intersection of listening and sight in the act of reception. As well as being of interest to musicologists considering issues such as notation, multimedia and the analysis of performance, this volume will also appeal to those interested in applied research in the field of cognition and neuroscience.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 290
• Erscheinungstermin: 10. November 2017
• Englisch
• ISBN-13: 9781351986755
• Artikelnr.: 50213692

Autorenporträt

Patrizia Veroli is an independent dance scholar. She has been awarded a number of fellowships and grants and was a fellow of the Italian Academy for Advanced Studies at Columbia in 1998. She is the author of Milloss. Un maestro della coreografia tra espressionismo e classicità (1996) and other volumes about XX century dance. She curated a few exhibitions and co-edited several volumes, among which are Omaggio a Djagilev (with D. Rizzi, 2011), and I Ballets Russes di Diaghilev tra storia e mito (with G. Vinay, 2013, 2 tomes). She is a member of the advisory board of Dance Chronicle and of the international board of Recherches en danse. Gianfranco Vinay has been Professor of History of Music at the Conservatory of Turin (1974-1992) and later Maître de conférences in the Music Department of the University of Paris 8. He is the author of Stravinsky neoclassico. L'invenzione della memoria nel '900 musicale (1987) and the editor of Stravinsky and Gershwin (both in 1992). His recent books include Charles Ives et l'utopie sonore américaine (2001), Quaderno di strada di Salvatore Sciarrino (2007) and Immagini gesti parole suoni silenzi. Drammaturgia delle opere vocali e teatrali di Salvatore Sciarrino (2010). He is the co-editor of I Ballets Russes di Diaghilev tra storia e mito (with P. Veroli, 2013, 2 tomes). He is a member of the advisory board of the journal Il Saggiatore Musicale.

Inhaltsangabe

PART I THE CHOREOMUSICAL WORK: TOWARDS A THEORETICAL FOUNDATION 1.
Identifying 'choreomusical research' Inger Damsholt 2. Choreomusicology
beyond 'formalism': A gestural analysis of Variations for Orchestra
(Stravinsky-Balanchine, 1982) Massimiliano Locanto 3. Ways of knowing:
Social dance, music, and grounded cognition Lawrence M. Zbikowski 4. Acts
of transformation: Strategies for choreographic intervention in Mark
Morris's settings of existing music Stephanie Jordan PART II MUSICAL
NOTATION AND CHOREO-GRAPHY 5. Reflecting on time while moving: Dance
notations from the nineteenth to the twenty-first century Claudia Jeschke
6. Is choreo-graphy a matter of time or space? For an epistemology of
perception through dance notation history Marina Nordera 7. Finding the
body in twentieth-century musical notation: On gestures, 'hypertablatures',
and performing without instruments Nicolas Donin PART III BLENDING MUSIC
AND DANCE: CHALLENGES AND NEGOTIATIONS 8. Experimental relations between
music and dance since the 1950s: Sketch of a typology Julia H. Schröder 9.
When the composer's artistic aims clash with the choreographer's autonomy:
Sylvano Bussotti, Aurel Milloss, and the 'choreographic mystery' Raramente
(1970-71) Ulrich Mosch 10. Remembering folklore, staging contemporary
dance: Conceptual and methodological issues about D'après une histoire
vraie (2013) by Christian Rizzo Susanne Franco PART IV SENTIENT BODIES 11.
Empathic entanglements: Music, motion, dance Eric F. Clarke 12.
Motormimetic features in musical experience Rolf Inge Godøy 13. Hearing
touch and the art of kinaesthetic crossmodality Dee Reynolds 14.
Aesthetics, neuroaesthetics and embodiment: Theorising performance and
technology Susan Broadhurst 15. Computational models of expressive movement
qualities in dance Antonio Camurri